Hello, Next Picture Show listeners.

Here's a friendly reminder that if you enjoy the Next Picture Show, you'll really enjoy getting more Next Picture Show by subscribing to our Patreon.

You can get our weekly newsletter for $3 a month and unlock bonus episodes for $5 a month.

You can also get access to ad-free versions of the podcast.

We recently released a bonus episode on Luca in the state of Pixar.

We have another bonus episode in the works on the HBO series The White Lotus.

To subscribe to our Patreon, please visit patreon.com slash next picture show.

It's very difficult to keep the line between the past and the present.

You believe that someone out of the past can enter and take possession of a living being?

We may be true with the past, but the past is not through with us.

Welcome to the next picture show, a movie the week podcast devoted to a classic film and how it shaped our thoughts on a recent release.

I'm Scott Tobias here with Keith Phipps and Genevieve Kosky.

Tasha is currently meditating on a homemade bed of nails, but she'll be on the show soon.

In her place, we're thrilled to have her old friend and colleague Noel Murray, who worked with us at the AV

Club and the Dissolve, whose work can be found in the New York Times, the Los Angeles

Times, Polygon, and other fine publications. Noel, hello. My friends. It's so good to see you

all again, or hear you all again, I should say. Yeah. Well, yeah, here, right, this is an audio

medium. You're not actually seeing us. You have to

pretend that we're all in the dark. So for the first time in over a year, we'll be discussing a new

film that I personally anyway did not see at home on my TV or computer monitor, but when I saw

the old-fashioned way on the big screen in a reduced capacity theater surrounded by people

in masks. Now, normally I would do some scripted tomfoolery here about this week's pairing,

...