4.8 • 745 Ratings
🗓️ 12 May 2023
⏱️ 33 minutes
🧾️ Download transcript
AI tools can generate words, but the human intention behind it, as well as the skill of the author, drives the machine. Stephen Marche talks about the creative process behind Death of an Author, 95% written by AI, out now from Pushkin Industries. Today's show is sponsored by my wonderful patrons who fund my brain […]
The post Intentionality, Beauty, and Authorship. Co-Writing With AI With Stephen Marche first appeared on The Creative Penn.
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0:00.0 | Welcome to the Creative Pen podcast. I'm Joanna Penn, thriller author and creative entrepreneur, |
0:09.0 | bringing you interviews, inspiration and information on writing, publishing options and marketing ideas for your book. |
0:17.0 | You can find the episode show notes, your free author blueprint and lots more information at |
0:23.0 | TheCreativepen.com. And that's Penn with a double N. And here's the show. |
0:31.8 | Hello creatives. I'm Duranna Penn. And this is episode number 692 of the podcast, and it is Thursday, 11th of May, |
0:40.5 | 2023 as I record this. In today's In-Betweeney-Sode, I interview Stephen Marsh about how he co-wrote |
0:48.8 | death of an author with AI tools. We talk about which tools Stephen used and how he used them, the importance |
0:58.0 | of specificity in prompting and why those who know what they want and have experience with |
1:04.0 | writing have an advantage, why the intellectual process of writing is more important than the |
1:09.2 | mechanical process, why co-creating with AI is like |
1:13.1 | being a hip-hop producer on various things on copyright, and how authors might approach co-creating |
1:20.2 | with AI if you want to work with traditional publishers, plus what remains the same despite |
1:26.4 | advances in technology. |
1:28.6 | So I love Stephen's attitude about intentionality and authorship over the mechanics of text |
1:34.8 | generation, which I really like that idea. |
1:38.0 | And I also enjoy his creative confidence, as he says, I'm just going to make this stuff |
1:42.8 | and see where it goes. And that's how I feel. |
1:45.7 | I want to stop talking about it and get on and do it. I will still be talking about it, obviously, |
1:50.2 | but I'll also be getting on and doing it. What's also funny is that when I started the introduction, |
1:56.2 | and initially he thought perhaps he was chatting with a robot. We were audio only and I have this |
2:01.6 | podcast voice. I used to do the introduction that you will obviously hear and he was a bit |
2:07.4 | confused. So I left that in. I asked his permission if I could leave his confusion in as it's |
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