4.8 • 733 Ratings
🗓️ 13 April 2023
⏱️ 65 minutes
🧾️ Download transcript
In today’s Books With Hooks segment, Carly and Cece each critique two submissions, discussing tongue twister titles; putting a fresh spin on feminist issues; first lines that could be doing more; differentiating your own writing from original stories in retellings; ensuring important details are clarified in a query letter; making sure there’s a reason for having two heroes in a story; what happens when interiority and emotionality are missing from the pages; setting a story against the backdrop of a major world event; ensuring the plot points are in a dominos set-up; making sure the storyline is about the protagonist, not the major world event; and weaving in emotionality to offer context on characters in a subtle, superb, organic way. And CeCe requests a full manuscript!
After which, Bianca chats with Bonnie Garmus, internationally bestselling author of the publishing phenomenon, Lessons in Chemistry, about her “overnight” success; the almost 100 rejections she got during querying; why not to write a 700-page novel for your debut, the grieving process during querying; writing a love letter to science and scientists; the universal appeal of a novel like hers, structure, timeline and the opening pages; writing omniscient POV well and including an animal’s POV; knowing when to listen to critique and when to stand your ground; and the difference between curiosity seeds and pause pebbles.
Find us on our socials:
Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra
Instagram: @biancamarais_author @carlywatters @cece_lyra_agent @ the_shit_about_writing
Facebook: @tsnotyaw
Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com
Bonnie can be found at https://www.bonniegarmus.com/. She’s on Twitter @BonnieGarmus and Instagram @bonnie_garmus_author.
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0:00.0 | It's a new year and time to get fresh eyes on your work in progress. |
0:04.8 | Are you looking for beta readers, some of whom might potentially become writing group members |
0:09.2 | down the line? |
0:10.2 | Are you wanting to be matched up with those writing in a similar genre and or time |
0:15.0 | zone so they can critique your work as you critique theirs at the same time? |
0:19.5 | Your manuscript doesn't have to be complete to sign up |
0:22.1 | for this 3,000 word evaluation. This matchup will be open to registrations from now until the |
0:28.5 | 2nd of March with the matchup emails going out on the 3rd of March. Always such an exciting day. |
0:35.4 | For more information and to register, go to Bianca Moray.com and go to |
0:39.7 | the beta reader matchup tab. And please spread the word, even if you aren't joining the matchup this |
0:45.7 | time. The more writers we have signed up, the better the matches will be. Hello from CC. |
0:52.6 | I'm so excited to announce an all new class called Starting It |
0:56.4 | Right, which is all about how to begin your story in the best place and in the best way. Now, |
1:01.6 | this is going to be a four-day class, so come prepared to take lots of notes. We'll cover the different |
1:06.9 | types of beginnings and how to choose the best one for your story, how to frame your |
1:11.6 | inciting incident in a compelling way, common mistakes writers make when starting a story, |
1:17.3 | how to balance exposition and mystery, how to make readers connect with your protagonist, and how |
1:23.6 | to make the reader want to turn to the next chapter and so much more. |
1:28.3 | And guess what? |
1:29.3 | For the first time ever, there will be an interactive component to my class. |
1:34.3 | Everyone who is registered will have the option of sending in the opening scene of their work |
1:40.3 | for a chance to be critiqued during the webinar. |
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