It's that inner voice movement by any chance?

Indeed.

Nice.

I'm Adam Anis. And I'm Peter Martin. And you're listening to the You'll Hear Podcast. Daily Jazz Advice coming at you. Coming at you from the Steinway today. That's right. If we sound a little more echo-y than usual, it's because there's many more mics on us from a larger room because we're sitting in front of a 5- 11 inch Steinway oh right oh and we've left

the pot cave you know some people some people thought that we live in the pod cave like lemmings on the

prairie we've plop like goleb coming from underground i don't even know if he lives underground

i don't even know if that's his name but you know the troll, the troll dude coming out from the Pied Cave. Say Golub? Golub. Isn't that his name? Ghalm? Gollum? Gollop. Not a fantasy guy. You know what? No, no. It's if you're on the in like I am with that world. It's Golove. Yeah. My cousin's actually in the Lord of the Rings, acting. acting in that. Right. PM Tolkien. Yeah, no, we've been threatening to do this for a couple weeks, and we get, oh, we always get such great responses when we do our episodes sitting at the piano. So we thought we would do this episode sitting at the piano, and today we are talking about inner voice movement and voice leading. We're going to use the classic standard all the things you are.

Hell.

There's so much going on in this one. I did this blog post. I wrote a little court arrangement

for dealing exactly with this very issue, voice leading and inner voice movement, on all the things you are.

So you can go to Open Studio Network slash blog if you want to see that.

Yep. Maybe we'll even put a link in the newsletter if you want to sign up for the old newsletter.

That would be nice. Yeah, and it's a great arrangement. I was looking at it again. I think you did this about a couple of months ago, a month or so ago. and I, you know, heard the way that you played it,

and then it was so fun to look at the chart

and to see how it kind of, you know, lays itself out visually,

but you weren't... you know, heard the way that you played it, and then it was so fun to look at the chart and to see how it kind of, you know, lays itself out visually.

But you worked in a number of different, really interesting inner voice movement ideas

in, well, you call it a chord arrangement, but it's really a beautiful musical arrangement

of this, too.

Thanks.

You know, I like doing this, and I actually suggest for pianists to kind of work on your

voicing chops, you're improvising voicing all the time.

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