I do some of the beginning, they don't touch the middle, and try to do the ending.

If I have the ending in material, melodies and motifs and themes and so on,

treatment, I can now take stuff out of the finale and plant it in the beginning and plant a little more of it in the middle so that when you hear it at the end in its final maturity, it's formed in a way, but I think it's better if you, if, even

emotionally if you know where you're going to go and you know where the real moment of emphasis of even ecstasy or whatever it is, and work backwards to prepare that in the

line to it that you want to be able to control.

Hello, John Williams Fast. that you want to be able to control.

Hello, John Williams' fans.

Welcome to the Magic of John Williams Special Number 46.

I'm Laird.

I'm here with Ron.

Hello, Ron. Hello, Laird, how you doing? I'm here with Ron. Hello Ron. Hello Laird how you doing? I'm great I'm great hoping you are well and we want to welcome everyone in into the latest special we've got a ton of stuff to go over some news.

And then, like we opened with the Maestro

talking about his technique and emotions

and all those things, we have a lot of audio to play of people talking about

including Jill Williams talking about his music and so we're just thrilled to share

this as kind of a wrapping up the fall here as we're heading towards probably the of the

biggest John Williams news of the year, which will be the release of the rise of Skywalker

and we'll talk about that too.

In the meantime, lots has gone on since we were with

Anna Sophie Mooter last special and so we just have a ton to bring you so Ron I

think you have some news why don't why don't you take the news section yeah

absolutely you know what you said is right on right on the mark this is a great time

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