IN THIS MONOLOGUE: THE JABER TRIFECTA | A Point in the Sea + Gaza’s Dreams
The Heart
Kaitlin Prest
4.5 • 2.3K Ratings
🗓️ 3 September 2024
⏱️ 71 minutes
🧾️ Download transcript
Summary
“Before, you could count how many buildings they destroyed. Now, you count how many buildings they didn’t destroy” — Tarneem Jaber
Tarneem Jaber (19 yrs old) was starting her first week of med school on October 7th. Her brother Ahmad (21 yrs old) was in his third year of dental school with only two remaining. Hamza, the oldest (24 yrs old), was supposed to graduate this June: He was a volunteer at Al-Shifa until it was obliterated.
The three siblings survived the destruction of their home, food shortages, a long journey to the border, and finding an apartment to rent in Cairo, Egypt. Only a few weeks later they were doing an interview on zoom with a Canadian for a feminist podcast they’d never heard of, telling the story of what they lived and what goes on for the loved ones they left behind.
Each of the Jaber siblings chooses a monologue to read: Hamza reads #30: Yasmeen Abu Amer. Ahmad reads #8: Ehab Elayan. Tarneem reads #13: Reema El Sadi. "We relate to every single word in this monologue," Tarneem says.
"But this war, is worse than anything we lived before."
Support them to complete their mother's parting wish: to finish their education. Thrust into complete independence and faced with international student fees and paying over again for years they already completed, these three brilliant students need your help to fix problems they never should have had to face. Please follow our link: https://gofund.me/854be259
Learn about your ad choices: dovetail.prx.org/ad-choicesTranscript
Click on a timestamp to play from that location
| 0:00.0 | Hi, it's me K.P. Before the episode begins, two housekeeping items. Number one. Everything that you are about to hear is 100% real, |
| 0:20.0 | 100% true. All of the sounds that you hear in this episode are sent to us from the |
| 0:29.4 | phones of the people that you hear speaking. The things that you hear in the recordings are things that happened |
| 0:35.0 | close enough to them that they could take out their phone and videotape it and get the sounds that you hear. |
| 0:47.0 | We use the sounds that each person sent us in the section where they speak. |
| 0:56.1 | So you can imagine the person speaking, standing with their phone recording, the sounds that you're hearing. We didn't take any creative license other than adding music here and there. It was tricky organizing this interview. There |
| 1:05.5 | were six different schedules trying to line up and so the moment that they |
| 1:08.7 | finally lined up felt like a miracle and I was so nervous meeting these people for the first time |
| 1:16.5 | that I forgot to record my side in a couple of parts. |
| 1:21.1 | You hear the shuffle of the technical difficulties. Also, Sepide, who just so |
| 1:26.3 | happened to be in Egypt at the time and was able to help us out with the recording. |
| 1:31.6 | Number two, there is some triggering content in this episode. |
| 1:37.4 | There are graphic depictions of violence and the sounds of guns and bombs. |
| 1:45.0 | It is my personal ask of you to listen anyway, even if you don't feel like it. |
| 1:54.7 | They endured having flashbacks to these events |
| 1:58.5 | for the rest of the day after our interview finished |
| 2:02.0 | so that someone would know what they went through, |
| 2:06.0 | what all of their friends and family are still going through. |
| 2:10.0 | Think about the emotional reaction that you have listening to their words |
| 2:15.0 | and how it might have felt to experience the things that they're talking about. |
| 2:22.3 | Without further ado. A do. From Marmar Dalas and Ashtaïl and Astrath theatre. From the north of Gaza. |
| 2:37.0 | Minchamele-Gazia. I'm |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from Kaitlin Prest, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of Kaitlin Prest and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2026.

