Hi, everyone. It's 4 o'clock in New York. It's 3 p.m. in Minneapolis, a city on the edge,

and they'll wake up a horrific tragedy that has spurred a nationwide battle over the truth of this incident

as the Trump administration seeks to cast the shooting death of 37-year-old Renee

Nicole Good by an ICE agent as a response to what they are calling an act of domestic terrorism.

They're doing that without providing a shred of evidence. Minnesota officials say that the FBI

has effectively frozen local law enforcement out of the investigation.

Here's Minnesota's Governor Tim Wals.

I think it's clear to everyone as they saw this that it feels now that Minnesota has been

taken out of the investigation. It feels very, very difficult that we will get a fair outcome.

And I say that only because people in positions of power have already passed judgment

from the President to the Vice President to Christy Nome have stood and told you things that are verifiably false,

verifiably inaccurate. They have determined the character of a 37-year-old mom that they didn't

even know. As the governor points out, there are claims that have been made by the Trump administration stand in complete contrast to what we can see with our own eyes, to what eyewitnesses saw, to what available video evidence shows, and to what local officials on the ground there are saying.

While Donald Trump told the New York Times in an interview that the victim in the shooting, quote, behaved horribly and, quote, ran him over, end quote.

A New York Times visual investigation, investigation by the same paper that interviewed Trump, analyzed three different camera angles and showed that Good was driving away from the officer when he opened fire.

Here's what that investigation found.

This is the agent who shoots the driver.

He walks around the car filming and disappears from view.

Other agents pull up and order the driver to exit her vehicle.

One of them grabs at the door handle and reaches inside.

The SUV reverses, then turns right, apparently attempting to leave.

At the same time, the agent filming crosses toward the left of the vehicle and grabs his gun.

...