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Film Stories with Simon Brew

In conversation with Paul Reiser

Film Stories with Simon Brew

Simon Brew

Tv & Film, Film History

4.9767 Ratings

🗓️ 1 November 2024

⏱️ 44 minutes

🧾️ Download transcript

Summary

Paul Reiser first came on my radar, as he did for many, with 1986's Aliens. We touch on that very briefly here, as we chat independent film, The Problem With People, a bit of Diner, and the challenges of getting films made. Plus! Colm Meaney going to the wrong bar, a date set for 19 years into the future, and a whole lot more... The Problem With People is in UK cinemas from 8th November. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

Hello, this is Simon Brew.

0:02.9

I'm the editor of Film Stories magazine

0:04.8

and a very warm welcome

0:06.5

to a very special episode

0:08.5

of the Film Stories podcast.

0:11.1

Come with me.

0:13.3

And I show you how deep the rabbit hole goes.

0:16.6

And movies.

0:17.8

Movies that had stories.

0:19.5

That this story just sucks a man.

0:21.9

This is just the beginning.

0:24.5

We would be honoured if you would join us.

0:31.5

Hello and a very warm welcome to Film Stories with Simon Brew.

0:35.7

I am Simon Brew.

0:36.6

As always, that's absolutely everything you need to know

0:39.0

about me. The aim of the podcast though, well, it's given away by the title. I'm here to talk of the

0:43.2

stories of films and I tend to talk about production stories, marketing stories, release stories,

0:47.9

distribution stories, writing stories, all those ingredients really that go towards making the films that we know and sometimes love,

0:54.0

just that the films that we know and sometimes love, just that the films that we know and sometimes love.

0:57.7

The films I tend to cover on this podcast, they lean more towards the mainstream than anything else.

1:01.8

They're films I'm interested in or invested in to some degree. Try not to do snark. I try not to punch down.

1:07.3

This podcast is a celebration of cinema and a real appreciation that somehow films managed to get

...

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