Hello, this is Simon Brew. I'm the editor of Film Stories magazine and a very warm welcome to a special episode of the Film Stories podcast.

Come with me. And I show you how deep the rabbit hole goes.

In movies, movies that had stories.

The story just sucks a man. This is just the beginning.

We would be honoured if you would join us.

Hello and a very warm welcome to film stories with Simon Brew.

I am Simon Brew.

As always, that's absolutely everything you need to know about me.

At the end of the podcast, I'm here to talk off the stories of film. I tend to talk about development

stories, production stories, marketing stories, behind the scenes stories, all the bits and

bobs really that go to make the films that we know and sometimes love, the films that we know

and sometimes love. Now, what you've happened upon here is one of my occasional special episodes of the podcast

where I bring in a filmmaker or someone to do with the maker film, an actor, director, and talk

about their work, talk about a film that they're up to, but get their stories from their side

of the fence. And I'm absolutely thrilled for this one to be joined by someone who's work I've

been watching for such a long time and enjoying Colmini.

Now he is starring in a new independent action thriller called Confession, which has been released by signature here in the UK,

on demand, video on demand services at the end of January 2022. It's written and directed by David Beaton.

It's effectively a two-hander for the most part alongside Stephen Moyer, Claire Hoa Pashiti's in the

ensemble as well. But ostensibly he's here to talk, I mean, as you're here in the conversation

about that movie, but we also go and cover quite a lot of other bits and bobs as well.

So we're going to talk about a few Alan Parker films that he was involved in, the late director Alan Parker.

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