The We were talking earlier on when the pub about the problem of consistent excellence.

Yeah, that if a writer or a filmmaker or a musician just manages to make a series of consistently

excellent records or books or films, it almost works against them.

My feeling with the Coins is that people look at them and go,

ah yes, another consistently excellent Coam Brothers film. I've already seen half a dozen

excellent Coam Brothers films. I'm a huge fan of Inside Lewin Davis which came out about five years ago

for me that is that if that had been made by other filmmakers that would be acclaimed

as a great great film about the limits of creativity but because it was a

Coen Brothers film people go now another Coen Brothers film I think that's

interesting but I think there's a body of work there I mean you could say the

same thing about I mean

Bergman or Hitchcock you know it consistently excellent I mean both I think made

50 films not all of them maybe as good but the current brothers are kind of I think they're in sort of in

that like you're right that they they get maybe taken for granted but I think

there's always the chance you can go back when we were in recu Vic

God that was we was doing this podcast where we were in wekjavik, God that was, we was still doing this

podcast where we were in Reykjavik.

Brilliant.

Oh, it was good.

I did have White Rush.

Did you ever meet as a Dutch publisher called Oscar Van Geldering?

Have you ever met him?

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