Step into my room, take a look on the shelf. I'm not a believer in doing it

yourself. I just want to hurt you and now that it's planned, I just want to show

you the meaning of pain. I'm a sadist in sequence, I'll injure and grin. The sadist

in sequence, don't let me end or you're going to find out that you'll never win. I'm a sadist

in sequence, evil as sin. A turn on for me is a scream or a how. Handing out punishment

I know every foul. Don't take me lightly, things could be hard. I used to give lessons to

the marquee decide. My performance really started before I ever stepped outside the

address in room. I'd look in the mirror, I'd be getting makeup on. The thing is your clothes,

I think your clothes are very, very important, especially to me because I was known for my

gowns and makeup and all that kind of stuff. It is like Clark Kent going into the phone box,

meet journalist or whatever he was and he'd sort of come out like Superman. When it was time

for me to go in, they play my music. I can break good old and with one hand behind my back.

I can crush a grizzly till his bones begin to crack. Then I'd step out, strike a pose. At

stand there and in my own mind it's like, okay, I'm a bard, I've just descended from

Mount Olympus. Now you suckers can sort of worship me and all that sort of stuff. So imagine

what I could do to you. I give like an angry sort of frown and go like, what a few peasants.

This is like throwing pearl before the swine. So imagine what I could do to you. With a

Buddha lungs out or with a chair, the lungs out for me. Makes no difference, they're gonna

know I'm there and I'm going to give them the best that I can possibly deliver.

So imagine what I could do to you. Hmm, nice. You're listening to Love and Radio. I'm Nick

Van Gogh. Today's episode, imagine what I could do to you featuring the exotic Adrienne street.

Can you describe some of your favorite outfits? I'd always admire it like big gowns and things

...