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So, the last London. No, sorry, I got that wrong. It should be so, the last London, because the inflection should be there at the end.

I'm trying to teach myself the language of this last city, which every sentence begins with a so.

It's as if you've dropped in on a dialogue as if the conversation is still running.

Somehow you've got in on it and you have to keep it going.

So has changed its nature a lot. When my children were teenagers, so was so.

Now it has these dots before and after and it's a kind of a conversational flourish that lets you know that nothing has any

real meaning. We're losing the ground of London and what London is, and maybe we'll travel across

and find out as we go on. I mean, it was a good preparation coming in here. So preparation, really,

tonight for what the world may become.

Passing through security was like trying to get somewhere near America. And as you came through

that tent, I noticed there was an advert on the wall for one of the upcoming BM shows. And at the

bottom, it had sponsored by Jack Ryan, and I thought he was played by

Harrison Ford, and I thought that came with a kind of slightly sinister overtone, but it let us

know the city we're in, which this is a multiple city, city of many shifts and changes, very

hard to hold on to.

And that so is now so gestural.

It's like the equivalent of an Aussie sportsperson when they talk to always starts

a sentence with look, look mate.

It's like a challenge and a defence all in one.

And it's the equivalent of the Trump poke, you know, the thumb that's trying to pierce a donut. And so you're in the world now where

this man, the king Ubu of the internet is out there haunting us.

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