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Black Men Can't Jump [In Hollywood]

I Saw the TV Glow

Black Men Can't Jump [In Hollywood]

Black Men Can't Jump [In Hollywood]

Tv & Film, Comedy, Society & Culture

4.71.5K Ratings

🗓️ 17 October 2024

⏱️ 90 minutes

🧾️ Download transcript

Summary

This week, James, Jerah, and Jon are covering I Saw the TV Glow, written and directed by Jane Schoenbrun, starring Justice Smith, Brigette Lundy-Paine, Helena Howard, Lindsay Jordan, Connor O'Malley, Emma Portner, Ian Foreman, Fred Durst, and Danielle Deadwyler. Together, they discuss just how wild it is that A24 has such an identifiable house style, how complicated all of their initial thoughts about it are, some of the casting choices, where its trans allegory did and didn't feel clear, Buffy, and much, much more!


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Transcript

Click on a timestamp to play from that location

0:00.0

AI might be the most important innovation ever.

0:03.0

It's storming every industry with literally billions being invested.

0:07.0

So buckle up.

0:08.0

The problem is that AI needs the right data and a lot of speed and processing power.

0:12.0

So how do you compete without costs

0:13.9

spiraling out of control? Time to upgrade to the next generation of the

0:18.0

cloud. Oracle Cloud Infrastructure or OCI.

0:21.0

OCI is a single platform for your infrastructure, database and application

0:25.2

development with AI embedded across it all.

0:28.1

And Oracle Sovereign Cloud helps you address your requirements for location, access and data

0:32.2

residency.

0:33.2

OCI provides blazing fast speeds for AI's demanding workloads

0:37.1

and in the cloud when you pay by the minute, speed matters.

0:40.4

And of course, nobody does data better than Oracle.

0:44.0

If you want OCI to help you do more and spend less, like Uber, the Premier League and

0:48.2

Oracle Redball Racing, take a free test drive at Oracle.com

0:51.4

com slash bandwidth. That's Oracle. That's Oracle. free test drive at oracle.com

0:53.8

slash bandwidth.

0:55.2

oracle dot com slash bandwidth. I do think it's kind of funny that you can always tell a movie was produced by

1:08.3

a 24 yes just by the colors yeah you can tell by the colors. Yeah, you can tell by the colors, you can tell by the pacing.

1:16.0

There's like a pacing.

1:17.0

Yeah, you can tell by the spacing.

...

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