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So let's talk about her performance. What do you think of this? I love it. I think she's so endearing with no dialogue

minus that one bit where she's doing the writer's brain, like play out the endings. Actually,

what's funny, and this is a writing thing, but the thing to me where I was like, oh, I could connect

with her on like a deep level is when she's doing the, when she's typing her book. And she's like, la, la, la, la, ending stuff. Money now, please.

Yes, I love the money now, please. As someone who has struggled mightily to write over the last

couple of years, where you're just like, I don't know, fuck, like, you know what I want to say. So just

cut me the check and send it my way. Right. And admittedly, because this is the first thing that I had seen Segal in.

And I don't think she's really done much outside of her husband's films or his TV show.

Which is very disappointing.

Oh, because she's really good.

But in this, I was like, okay, cool.

She's great.

She can act, but like, again, very little dialogue.

She has bit parts in Gerald's game.

She plays Carla Grigina's mom, and then she plays a customer in Ouija.

But then in Hill House, that's when it's like, oh, she's got it.

...