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Backlisted

Human Voices by Penelope Fitzgerald

Backlisted

Backlisted Podcast

Arts, Books, Leisure, Hobbies

4.7 • 1.2K Ratings

🗓️ 18 March 2019

⏱️ 66 minutes

🧾️ Download transcript

Summary

Penelope Fitzgerald's fourth novel Human Voices (1980) is set at the BBC during the early months of the Second World War. Joining John and Andy to discuss the book, and Penelope Fitzgerald's life and work, are publisher and editor George Morley and writer and critic Lucy Scholes. Other books under discussion include Ghost Wall by Sarah Moss and The Good Immigrant USA edited by Nikesh Shukla and Chimene Suleyman.Timings: (may differ due to variable advert length)5'56 - The Good Immigrant USA by Chimene Suleyman and Nikesh Shukla09'47 - 17'47 - Ghost Wall by Sarah Moss Human Voices by Penelope Fitzgerald* To purchase any of the books mentioned in this episode please visit our bookshop at uk.bookshop.org/shop/backlisted where all profits help to sustain this podcast and UK independent bookshops.* For information about everything mentioned in this episode visit www.backlisted.fm*If you'd like to support the show, listen without adverts, receive the show early and with extra bonus fortnightly episodes, become a Patreon at www.patreon.com/backlisted Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

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0:05.0

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0:15.0

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0:23.2

month 15. Off Wrens 9th, January 2024. Representative 88.8% APR variable. Terms apply, 18 plus subject to approval. And the Yeah, so last Saturday at the Hot Tin in Fabesian, which is a new arts venue in Kent down the road from me.

0:56.4

They asked me to host an event with the filmmaker Sarah Wood and the novelist Ali Smith. And at this event, which was really, really good, Ali

1:07.6

read from Spring. And so it's appropriate in the, because we're doing Penelope Fitzgerald I can say with

1:15.2

accuracy that Ali Smith read the beginning of spring.

1:17.6

So that's good. That's all I've got. That's all I've got for this episode. I got nothing. I got nothing else.

1:26.5

So Ali read the opening chapter and she said to the audience before she started,

1:31.1

how do you all feel about me reading something with quite a lot of

1:34.0

infective? I'm trying to capture the feeling of what it's like to be alive in

1:39.8

in Britain just before Brexit. That's what I'm trying to get in this chapter,

1:44.9

though of course the audience were up, for instance she. And she did a, I don't know, maybe 10 minute

1:51.2

reading of this torrent of abuse and anxiety and

2:05.0

on the page would have been one thing and will be one thing and we're gonna get to read that in about a month's time.

2:12.0

But the performance that she did of it was just out of this world good.

2:17.6

I've never seen Ali Smith read before and she really finds the internal rhythm of the prose and pushes that forward.

2:27.0

So it was really like a performance piece.

2:29.0

It is interesting.

2:30.0

Some writers, you know, some can read their own work well and others can't't but I've seen her read a couple of times.

...

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