Hubert Selby, Jr. (Part 1)
Bookworm
KCRW
4.5 • 606 Ratings
🗓️ 27 February 2003
⏱️ 28 minutes
🧾️ Download transcript
Summary
In the first of a two-part interview, Hubert Selby, Jr, now in his seventies, reviews and relives the tumult created by his debut novel, Last Exit to Brooklyn.
Transcript
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| 0:00.0 | Funds for Bookworm are provided in part by Lannin Foundation. |
| 0:07.2 | You are a human animal. |
| 0:11.1 | You are a very special breed. |
| 0:15.2 | Or you are the only animal. |
| 0:18.6 | Who can think, who can reason, who can read. |
| 0:21.9 | From KCRW, Santa Monica, I'm Michael Silverblatt, and this is Bookworm. |
| 0:26.7 | Today, my guest is a legendary American writer, Hubert Selby Jr. |
| 0:31.9 | From the time he published last exit to Brooklyn to his most recent book, Waiting Period, a new novel published |
| 0:39.3 | by Marion Boyers, available in America, but published in England. His work has been a nonstop |
| 0:48.0 | aggression, in a sense, against the American way when we speak of that way too complacently. |
| 0:55.9 | The voice is always the voice of the undertrodden, the powerless, |
| 1:01.5 | the person taking power in his mind. |
| 1:05.3 | It's an absolutely distinctive voice. |
| 1:07.8 | Unlike most American writers known for their voices, there is no real pleasure. |
| 1:15.4 | Ain't no pleasure in it in the voices of Selby. When we talk about voice, we usually start |
| 1:22.7 | talking about Huckleberry Finn, and we talk about all those funny locutions. |
| 1:28.0 | But from the very start, your voice is interested in a certain kind of antagonism |
| 1:34.2 | and a certain kind of jangling, fierce alarm clock-like quality. |
| 1:41.4 | And why is that? |
| 1:42.5 | And how did you know that from the beginning? |
| 1:45.6 | How I knew from the beginning, it's difficult to explain. |
| 1:50.5 | I started writing, so I wanted to do something before I died. |
... |
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