This film had a lot of sort of, you know, dangers, you know, just on script level.

It was like, this can turn out bad or terrible or, you know, or people are gonna hate it for it.

You know, every film for me is a new challenge to figure things out that I didn't know before.

Prepare your ears, humans.

Happy, sad, confused, begins now.

I'm Josh Horowitz and today on Happy Sec, I continue to embrace my Oppenheimer obsession

with the film's brilliant cinematographer, Hoi Ta Man Hoi Ta Man.

He is the man responsible for bringing the visions of Christopher Nolan to the very big screen in recent years.

He's one of the very best at what he does, the list of credits.

Speak for themselves.

Let the right one in her interstellar Dunkirk nope.

It was that last film in fact that brought him on the podcast alongside the great Jordan Peele.

This time he's back center stage.

Got the spotlight spotlight all to himself today.

Hoi Ta Man Hoi Ta Man. Welcome back to Happy Sec, confused. It's good to see you.

Thank you and thank you for that introduction.

As you know by now, I'm a fan of your work.

I'm in particular a fan of this work I've had on Chris has been on the pod for this Emily Killian.

I'm just gonna keep going down the credits until I'm Oppenheimer doubt and I don't see that happening anytime soon.

First to talk to me a little bit about, I mean, do you engage with the reception?

You must be so thrilled.

Obviously box office is great, but also just this is, I mean, the Barbie Phenomenon's one thing.

...