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How We Made Your Mother

How We Got it Toupee Off | S2E21 "Something Borrowed"

How We Made Your Mother

Audacy & Josh Radnor and Craig Thomas

Tv Reviews, Tv & Film

4.8920 Ratings

🗓️ 30 March 2026

⏱️ 52 minutes

🧾️ Download transcript

Summary

Josh and Craig break down How I Met Your Mother Season 2, Episode 21, “Something Borrowed,” the chaotic first half of Marshall and Lily’s wedding finale. They revisit how the episode leans into the idea that every element of Lily’s carefully planned wedding begins to unravel—from Marshall accidentally shaving a reverse mohawk into his hair to Scooter showing up determined to stop the ceremony. The hosts talk about the technical side of filming Jason Segel’s shaving scene (and how hard it was for everyone not to break), the escalating farce that pushes the wedding off course, and the way the writers used these disasters to set up the emotional payoff of the finale. They also reflect on the show’s growing commitment to serialized storytelling, planting clues and callbacks that reward long-time viewers while still delivering big comedy moments, and how the imperfect, improvised version of the wedding ultimately reinforces one of the show’s core themes: the moments that go wrong are often the ones that reveal what really matters. 


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Transcript

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0:00.0

Hey guys, it's Jeff Meacham. I played the wedding DJ in the season three finale. I believe it was

0:08.7

2007. I had just moved to Los Angeles. It was the second job I ever booked out in LA. First

0:14.8

comedy I had booked, first multi-cam. And as soon as I got onto set, I was like, oh, this is what I want to do for the rest of my life.

0:22.5

And here's why.

0:23.7

We get, we get onto set.

0:25.4

It's this, you know, wedding set. There's a lot of background. There's all sorts of moving parts. And I'm up in the kind of a bird's eye view in the DJ booth. and boom, first team comes in,

0:35.0

and you guys are all carrying your coffees and your sides

0:38.2

and your cracking jokes and having the best time together,

0:40.7

and Pam comes in and you guys are all carrying your coffees and your sides and you're cracking jokes and having the best time together.

0:40.7

And Pam comes in and kind of orchestrates the whole scene.

0:44.4

Neil's character comes and stands next to me.

0:47.8

And then you guys rehearse and someone just yells the word,

0:51.9

Suck it team!

0:52.8

And you guys just kind of funnel off together,

1:11.2

leave, grab your coffees, and you're giggling as you're leaving. And in comes this group of people that kind of look like you, wearing chalkboards with your character's names on them. And I was like, what is this? And somebody comes over and they're like, oh, yeah, yeah. They basically come in, rehearse, and then they leave, and they get to go have the best time of their lives while these people come in and do all the blocking

1:13.1

and get everything set with the lights, and then they come back in, tell jokes, and be stars. And I was like, oh, that's what I want to do for the rest of my life. So that really was a big turning point in my life where I was like, oh, this is amazing. I remember that. I remember how kind Pam was.

1:28.3

In fact, I just got to work with her again recently. And how cool it was, you know, as this young 20-something where Neil comes over and stands next to me. I was like, hey, man, I grew up watching you. You're amazing. And he's like, thanks. I was like, oh, also, do you remember on Law & Order a couple years ago where you played that kind of psycho killer guy, where you lobotomized women by pouring hot water into their brains? And he was like, yeah. I was like, my wife was that woman. And he was like, cool. I was like, cool. So there you go. Incredible show to be on. You guys were the best, and I can't thank you enough for that experience. I'm alone.

2:01.6

What a pity I won't be soon in New York City when I see you.

2:12.6

Please permit me to tell you everything in New York City.

2:19.3

Well, thank you, Jeff.

2:22.3

What a great note to start the show with.

2:25.3

And what a voice he has.

...

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