4.8 • 733 Ratings
🗓️ 27 June 2024
⏱️ 78 minutes
🧾️ Download transcript
In today's Books with Hooks, Bianca, CeCe, and Carly are joined by Jennifer to discuss her thriller submission. They chat about trigger warnings and their necessity in a query; ensuring your stakes aren't too obvious while illustrating the bigger 'why' at hand; framing your query letter in a way that highlights your POV characters and not others; the need for causality when it comes to plot points; utilizing similar pitch copy to help write more difficult or unique aspects of your query; tips for writing a query for a novel that is first person POV; avoiding overexplaining and trusting your reader; and how interiority that’s surprising can elevate pages.
After which, Bianca interviews bestselling author, Lesley Crewe. They discuss Lesley's latest novel, Death & Other Inconveniences; the art of writing humour well; writing attention-grabbing opening pages; inciting incidents that don't occur on the page and how to write them successfully; the inspiration behind the novel; the importance of characters' wants and needs; Lesley's main character's arc; successfully writing from multiple POVs without head-hopping; viewing omniscient POV as passing a baton; and writing for yourself before writing for others.
Note: Carly Watters and CeCe Lyra are literary agents at P.S. Literary Agency, but their work on this podcast is not affiliated with the agency, and the views expressed by Carly and CeCe on this podcast are solely that of them as podcast co-hosts and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.
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Facebook: https://www.facebook.com/TSNOTYAW
Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com
Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting
More information about Lesley can be found at https://www.lesleycrewe.com/
She's also on Facebook at https://www.facebook.com/lesleycreweauthor/
Carly's course for writers, The Author's Publishing Playbook, is available at carlywatters.com/course. If you haven't grabbed it yet, podcast listeners can use discount code POD15
To sign up for the Beta Reader Match Up, go to https://www.biancamarais.com/beta-reader-match-up.html
Click on a timestamp to play from that location
0:00.0 | It's a new year and time to get fresh eyes on your work in progress. |
0:04.8 | Are you looking for beta readers, some of whom might potentially become writing group members |
0:09.2 | down the line? |
0:10.2 | Are you wanting to be matched up with those writing in a similar genre and or time |
0:15.0 | zone so they can critique your work as you critique theirs at the same time? |
0:19.5 | Your manuscript doesn't have to be complete to sign up |
0:22.1 | for this 3,000 word evaluation. This matchup will be open to registrations from now until the |
0:28.5 | 2nd of March with the matchup emails going out on the 3rd of March. Always such an exciting day. |
0:35.4 | For more information and to register, go to Bianca Moray.com and go to |
0:39.7 | the beta reader matchup tab. And please spread the word, even if you aren't joining the matchup this |
0:45.7 | time. The more writers we have signed up, the better the matches will be. Hello from CC. |
0:52.6 | I'm so excited to announce an all new class called Starting It |
0:56.4 | Right, which is all about how to begin your story in the best place and in the best way. Now, |
1:01.6 | this is going to be a four-day class, so come prepared to take lots of notes. We'll cover the different |
1:06.9 | types of beginnings and how to choose the best one for your story, how to frame your |
1:11.6 | inciting incident in a compelling way, common mistakes writers make when starting a story, |
1:17.3 | how to balance exposition and mystery, how to make readers connect with your protagonist, and how |
1:23.6 | to make the reader want to turn to the next chapter and so much more. |
1:28.3 | And guess what? |
1:29.3 | For the first time ever, there will be an interactive component to my class. |
1:34.3 | Everyone who is registered will have the option of sending in the opening scene of their work |
1:40.3 | for a chance to be critiqued during the webinar. |
... |
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