Hey, Peter.

Hey, Adam.

Do you want to rehearse this intro ever?

No.

I'm Adam Annas.

And you're listening to the You'll Here at podcast.

Daily Jazz Advice coming at you brought to you by Open Studio now

I don't know about you but I actually love rehearsing really I have a love hate relationship with rehearsing

No at times like when it's when it's when it's when it's needed

Yeah when you have the right combination of musicians that want to rehearse.

And you've got the time and the place, I love it.

Because it's making music and making it, you know, trying to like, you've got that goal of usually a performance or recording or something.

And it's the growth, kind of collective growth process to get there.

Yeah, I should amend my original statement that I love rehearsals when they,

when they are not terrible. When rehearsals are good and useful, I think they're one of the

most important tools that bands can use. It's like a vegetable keesh. When it's good, it's great. When it's

bad, it's not. And I actually think that most modern jazz musicians sleep on rehearsing.

Yeah.

I mean, at least a lot of people I know, like, don't rehearse at all. I'm like, you know, like the classic bands rehearsed all the time. Like even when you think they weren't, like, all the Miles's bands rehearsed. You know what I mean? Like, Coltrane's bands rehearsed. like, of course, Blakey's, you know, all that stuff.

I mean, yeah, there's always going toed. Like, of course, Blakey's, you know, all that stuff.

I mean, yeah, there's always going to be a certain amount of like, we're just going for it. Yeah. You know, you should know this and we can just figure it out. That's jazz. Like, we're always going to be able to do that. But there's more rehearsal than you might think in some of these classic bands. And I think it really is not that different than the classical world,

at least

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