Okay, it is Monday and we have four days until we're premiering the film. I got my

director Louis Solerad here, represent London Real, I like that. We are headed

to the sound design studio for the first day of sound grading.

Maybe you can tell everybody what's going on what are we doing?

Today we're mixing every single second of the films so it sounds as it should sound

we already did all the sound design we put all the sounds on place but today is about

levels and mixing songs and tracks voices and yeah just getting the polish.

Yeah, people in the video business think it's all about video but sound is like

something like 50% of the experience right? It's like a massive part. So I think we go down there. So if you don't get your sound right, then you're jacked. So now it's all about these little tiny sounds and these weird sounds and these sensational sounds because there's some parts of the movie.

No spoiler that get a little surreal.

It's definitely your best movie in terms of sound design by far.

Yeah, yeah.

So great movies have great sound designs.

So we're going through all that, not to mention

Luis has already spent the last months with the music

and then all sorts of other sounds and now it's like perfecting and I calculated yesterday so there's about 125,000 frames in this movie because every every second has 24 frames.

I'm not almost all of them.

Oh my gosh.

But like, well we've gone through like every single frame.

So for all of you out there that want to make a movie, first of all, don't.

And second of all, no, you can try it, but it's just, it's hard.

It's a long methodical pain-sicking process, right?

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