How to Light Up Your World
Miss Me?
BBC
4.5 • 2.1K Ratings
🗓️ 27 November 2025
⏱️ 38 minutes
🧾️ Download transcript
Summary
Miquita Oliver and Jordan Stephens discuss friendship and lighting.
This episode contains very strong language and adult themes. Credits: Producer: Natalie Jamieson Technical Producer: Will Gibson Smith Assistant Producer: Caillin McDaid Production Coordinator: Rose Wilcox Executive Producer: Dino Sofos Commissioning Producer for BBC: Jake Williams Commissioners: Dylan Haskins & Lorraine Okuefuna Miss Me? is a Persephonica production for BBC Sounds
Transcript
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| 0:00.0 | BBC Sounds, music, radio, podcasts. |
| 0:05.7 | Right, start at the beginning. |
| 0:07.7 | You're about to listen to a BBC podcast. |
| 0:09.7 | Okay, hello. |
| 0:10.6 | And if you're into true crime. |
| 0:12.3 | The message was clear. |
| 0:13.7 | You might like to investigate BBC sounds. |
| 0:16.1 | Somebody must know something. |
| 0:18.0 | Because there's a caseload of award-winning podcasts. |
| 0:20.7 | Do you think this is actually going to go to trial? |
| 0:22.8 | That cast light on shady cyber criminals, mysterious drownings and unsolved murders, from Bergen to Belfast. |
| 0:29.0 | I didn't know who I can trust. |
| 0:30.9 | Search, true crime on BBC Sounds. |
| 0:33.3 | The only thing left to do now is Ron. |
| 0:37.3 | This episode of Miss Me contains very strong language, adult themes. |
| 0:41.5 | And I think that's it. I think it was quite clean today. |
| 0:44.1 | All we do is talk about friendship and lighting. |
| 0:46.2 | Well, it's a trigger warning for those of you who enjoy your house being lit like Prime Rock. |
| 1:02.0 | Yeah. rhyme. I saw another complaining comment, but it was really funny this morning. |
| 1:07.2 | It was like, where are these guys looking when they're filming this podcast? |
| 1:12.5 | See, now that's a good question. I think it's because of my new set. I think because I'm |
| 1:17.0 | facing this way and I'm looking there, I think people, they just reach their limit. They're |
... |
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