Hey, what's your name again?

I don't remember.

I don't remember either.

Where am I?

I'm Adam Manus. And you're Martin and you're listening to The You'll Here at podcast daily jazz advice coming at you today's episode is sponsored by the

Oxford American we've been introducing this new sponsor all week very excited you know I have

been reading the Oxford American for a while now and there's one one article I found that I think would be an interest to our lovely.

You'll Hear at Listeners.

It's called Picking Up the Piedmont Blues by Benjamin Hedin.

And it's super, super interesting about this very specific type of blues music that goes in tobacco country. It was developed in tobacco country

around tobacco farming. And a beautiful article written about it. There was a event last year with

Gerald Clayton, who did a whole concert on the Piedmont Blues. That's what it's called. Very

specific type of blues. Sounds very familiar, I think, to most people.

It's that finger-picking guitar style that has been...

North Carolina, right?

Yeah.

And it's been completely, you know, used by so many folk guitarists, rock guitarists,

but started here in Tobacco Country in the Carolinas.

And Gerald Clayton did a whole concert at Duke University

around that. And anyway, I made a playlist of some of the kind of pillars of the Piedmont

Blue style. And you can check that out at you'll hear it.com. And as always, go to Oxfordamerican.org

slash you'll hear it or slash, slash y h i right a little special

...