Hey, Peter.

Hey, Adam.

Do you have about 15 minutes to do that?

Yes, I do.

I am a robot making a podcast.

Wow.

I'm Adam Anis. And I'm Peter Martin. And you're listening to the You'll Hear Podcast. Daily music advice. Now, buddy, what's going on over there? Well, you, uh, during the break there, you, uh, did a little robot voice. I love the robot. I love the robot voice. I got that from you, though. I never used to dad joke it up so much. Is that a dad joke? I don't know whether to blame you or blame the fact that I turned 41, but something has changed in me. When did the dad joke thing, I mean, I feel like it's so connected with Hey, Boomer, okay, boomer. Which one is it? I can't even remember. You confuse the Boomer one. You say, it's OK Boomer. Okay, boomer.

But you always say, hey, boomer one. You say, it's okay boomer.

Okay, boomer.

But you always say, hey, boomer, which for some reason is the most boomer. Yeah, because I want to get the attention of a boomer. But you're not even a boomer. No, but you are. Ever since you... I'm not a boomer. Since your last birthday, we talked about this. you went directly from the world's oldest millennial to the world's youngest

boomer robot no that's not how

generations work man well maybe that's not how generations let's talk about our sponsor i'm an exenial

and you know it exenial that's a made up thing spell it users users who were born between

77 and 1983 email in with your exenial stories of how the Gen Xers are too old and the millennials are too young. I'd love to commisle- Okay, exenials. All right, whatever. So let's talk about our sponsor, OpenStudio. Who? Openstiojazz.com. Oh, Open StudioJazz. We have a new course that has just been released that is knocking it out the park. And I, that, do you think it's a special early release treat? Is that still available? Yeah, it should be. It's still available. If you buy lifetime access, yes, you can still get. It'll say if you. It'll say. Yeah, there's a very special offer if you buy this course.

What is the course, though?

Oh, this is Jeffrey Kieser. Oh, you have me already. Elements of solo piano. Elements of solo piano. Tell me more. So this is a mini course from Jeffrey that I actually was not here when it was recorded, but... I was going to say, why am I acting like I don't know what this is.

Yeah, you were here, but you produced it, but I've been digesting it and watching it, and he does, I can just say that the Piaz de resistance, as they say in Paris and Bordeaux and other cities, O'Lala, is an amazing performance that he just sort of knocked off on the same piano we play at in the studio.

It doesn't sound like the same piano that I played out. It didn't sound like and it was so casual yet

so sophisticated. So this is a solo, right? The nearest to you, right? The nearest to you, but it's a solo piano arrangement that he's been kind of performing for a while. I asked him like, do you have a chart on this arrangement? No, he doesn't. It's in 3-2. Like, it's like a big

three. Yeah. And it's just the funkiest thing you've ever heard in your life. And it's just an amazing solo piano performance that he did in one take. And his whole, his whole being on the piano is annoyingly brilliant. And he really just crushes this whole seven-minute performance and here's the real the real

piste resin solstons was that the word you're looking for yes i don't know how to speak

russian but it's uh that we have you know i don't know if you know max gamis i do yeah i don't know

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