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The Andrew Klavan Show

How The Left Is Destroying Video Games

The Andrew Klavan Show

The Andrew Klavan Show

News Commentary, News

4.822.5K Ratings

🗓️ 1 January 2021

⏱️ 12 minutes

🧾️ Download transcript

Summary

The Left has been slowly trying to destroy everything about American pop culture. Music? Check. Movies? Definitely. TV? Absolutely. Video Games? Not yet, but they're starting to overtake that industry as well. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcript

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0:00.0

This episode is brought to you by Slack. With Slack, you can bring all your people and

0:05.9

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0:11.1

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0:16.7

like huddles for quick check-ins or Slack Connect, which helps you connect with partners

0:20.9

inside and outside of your company. Slack, where the future works. Get started at

0:26.9

Slack.com slash DHQ. So I want to talk about this new game, Cyberpunk 2077. This is not

0:34.7

a review. It's actually just something I want to talk about about the way the game is

0:38.5

being greeted. This is an RPG role-playing game that is based on a pen and paper role-playing

0:44.8

game that was kind of like Dungeons and Dragons. This takes place in Night City, a fictionalized

0:50.4

dystopian city in California, although why you would need to fictionalize a dystopian city

0:55.7

in California when you could just pick one. I don't know. One of the things about this

0:59.6

game is you can choose your character, not only choose your character, but you can choose

1:02.6

your character's genitals. I'm just imagining what it would be like to have a 13-year-old

1:08.9

boy choosing his characters, genitals, if a 13-year-old boy could invent himself as a character

1:15.0

with female genitals, he would never leave his own room. I remember when I was 12 having

1:21.2

discussions about how how do women never leave the room when they could just sit and admire

1:25.0

themselves and touch themselves. I think that that's what they're going to be playing

1:29.9

into, but they think what they're going to be playing into is this wonderful, woke transgenreism.

1:34.9

Well, nothing, nothing, as you should know, as of course you know, is ever enough for the

1:40.0

woke. You can never be woke enough because the point of being woke is to be woker than

1:44.1

thou. Even though they have these transgender characters all over the place and you can

1:48.7

make your character transgender, which I just, I mean, the idea of 13-year-old boys in a room

...

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