4.8 • 3K Ratings
🗓️ 2 October 2023
⏱️ 31 minutes
🧾️ Download transcript
In the same way that Shakespeare’s women characters were performed by boys in female costume, African, Middle Eastern, Hispanic and Jewish roles in his plays were taken by white men, deploying a series of racial symbols, stereotypes and, to modern ears, troubling racial language. But how did Shakespeare's original audiences view race and racial difference? And how has this understanding changed?
In this episode of Not Just the Tudors, Professor Suzannah Lipscomb talks to Professor Farah Karim-Cooper, whose new book The Great White Bard raises important questions about Shakespeare's depiction of both race and racism.
This episode was produced by Rob Weinberg.
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| 0:30.0 | Outside his English histories, Shakespeare rarely set his place in England, preferring |
| 0:39.5 | foreign locations, Italy, Spain, Greece, Cyprus and the Mediterranean, as well as the ancient |
| 0:45.7 | cities of what we now call North Africa, Turkey and Syria. |
| 0:49.9 | In the same way that women were performed by boys in female costume, African, Middle Eastern, |
| 0:55.0 | Hispanic and Jewish characters in Shakespeare's place were staged by white men using a series |
| 0:59.9 | of racial symbols and stereotypes. |
| 1:04.6 | But how did Shakespeare's original audiences conceive race and racial difference? |
| 1:18.8 | And how has this understanding changed? |
| 1:22.4 | Races about race in Shakespeare are still relatively uncommon outside the academy. |
| 1:27.8 | Many devotees of Shakespeare remain unwilling to interrogate why some of Shakespeare's most |
| 1:32.5 | beloved plays feature troubling racial language, or why his use of racist jokes can still |
| 1:38.6 | provoke laughter impact theaters. |
| 1:41.1 | But we needn't fear examining these things, it doesn't necessarily make Shakespeare a |
| 1:45.7 | racist. |
| 1:46.7 | Joining me today is Professor Farah Karam Cooper of King's College London and co-director |
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