How Respectability Politics Erased Young Women From History
Notes from America with Kai Wright
WNYC Studios
4.4 • 1.5K Ratings
🗓️ 27 February 2023
⏱️ 51 minutes
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Summary
We mark the end of Black History Month with a conversation about the people who are too often left out when we celebrate the past. What do we learn when we study the history of those considered wayward and existing outside of the norms of the day?
Cultural historian and MacArthur fellow Saidiya Hartman introduces host Kai Wright to the young women whose radical lives were obscured by respectability politics. Hartman is the author of "Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals," which offers an intimate look into some of the Black lives that have been seemingly erased from the history books.
Through a series of readings, they explore the complicated role of Black intellectuals like W.E.B DuBois, the Black family and how a damaging moralism continues to inform the policing of marginalized communities, public space and American cultural politics today.
This episode was originally published as “The ‘Beautiful Experiments’ Left Out of Black History” on February 8, 2021. Listen to more episodes here.
Companion listening for this episode:
Faith Ringgold Creates Space for Black Americans (1/5/2023)
Faith Ringgold’s art is an intimate dialogue and debate between generations of Black women, stretching from the formerly enslaved to today.
“Notes from America” airs live on Sunday evenings at 6pm ET. The podcast episodes are lightly edited from our live broadcasts. To catch all the action, tune into the show on Sunday nights via the stream on notesfromamerica.org or on WNYC’s YouTube channel.
We want to hear from you! Connect with us on Instagram and Twitter @noteswithkai or email us at notes@wnyc.org.
Transcript
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| 0:00.0 | History isn't cut and dry. |
| 0:04.4 | There was not some, you know, tome of facts that has been handed down in generations and |
| 0:10.1 | we all read off the same book. |
| 0:12.0 | If history is cut and dry, someone's got to cut it. |
| 0:14.9 | Someone's got to dry it, right? |
| 0:16.5 | Black studies are really efforts to capture the ways that the history experiences, culture, |
| 0:26.3 | lives of black people, African-Americans, what our lives are about, what constitutes them |
| 0:34.5 | historically, culturally, politically, over time. |
| 0:39.4 | And you can kind of walk through the history of black America in this way that black people |
| 0:44.3 | were emancipated because it was in the interests of the country to preserve the union. |
| 0:56.3 | It's notes from America, I'm Kai Wright, welcome to the show. |
| 1:14.2 | The partisan attack on history did not start with Rhonda Santis, but his obvious presidential |
| 1:20.1 | aspirations make it clear that we are going to be arguing over the history of these United |
| 1:24.7 | States and how it is told at least through the end of the Republican presidential primary. |
| 1:30.8 | So just settle in. |
| 1:33.1 | And here's the thing, the cost to us all for this whole political moment. |
| 1:38.3 | It will not only be the forms of censorship and erasure that continue to emerge in schools |
| 1:44.3 | around the country right now. |
| 1:46.5 | There's also this other thing that's something like an opportunity cost, all these debates |
| 1:51.6 | over stuff on which there's already consensus among reputable historians. |
| 1:56.8 | They take up space in the public conversation, space in which we should be wrestling with |
| 2:01.9 | new ideas, new questions about the dominant narrative and what it leaves out, our white |
... |
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