How ‘Project Hail Mary’ captured the spectacle of space
The Treatment
KCRW
4.6 • 656 Ratings
🗓️ 22 May 2026
⏱️ 23 minutes
🧾️ Download transcript
Summary
Directing duo Phil Lord and Chris Miller got their start in animated TV as co-creators of the series 'Clone High.' Their partnership continued on the big screen with 'Cloudy with a Chance of Meatballs,' 'The Lego Movie,' and '21 Jump Street.' Their latest is the adaptation of the Andy Weir sci-fi novel 'Project Hail Mary,' starring Ryan Gosling. Lord and Miller talk about why this movie was the hardest project they've taken on, what the film has in common with 'The Lego Movie,' and why sometimes the most subversive thing they do in a project is have people get along.
Note: this interview originally aired on March 20, 2026
Transcript
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| 0:00.0 | From KCRW Santa Monica and KCRW.com, it's The Treatment. |
| 0:12.0 | I'm Elvis Mitchell. It's the Treatment. |
| 0:15.0 | Novelist Andy Weir gave us the science-based novel, The Martian, which was adapted into the film of the same name. |
| 0:21.6 | The newest movie adaptation of his work, Project Hail Mary, lived up to the expectations and became a big hit, |
| 0:27.8 | courtesy of my guests, directors Phil Lord and Chris Miller, who were also responsible for the Lego |
| 0:33.1 | movie and Cloudy with a chance of meatballs. Let's revisit that conversation from earlier this year. |
| 0:39.3 | In reading the book, there's so much of the book that I have forgot, |
| 0:42.3 | that I thought I had forgotten until I saw the movie again. |
| 0:45.3 | And there's this kind of sense that I want to talk to you guys both about this, |
| 0:49.3 | of playfulness and dread that the book has, that you're able to capture because it's basically his spoken |
| 0:58.9 | narration and we don't know where we are. And what you guys really get across is that kind of |
| 1:03.4 | sense of sort of psychological dislocation in the film. Yeah, we wanted you to wake up the way |
| 1:09.6 | you wake up in the novel, disoriented, |
| 1:13.6 | and in the first person, the novel has the benefit of having the main character, |
| 1:21.6 | Rylan Grace, narrate the entire story. So we had to figure out how to do that |
| 1:25.8 | cinematically. The other thing the book does so well is that |
| 1:28.5 | the book is friendly. As much as it talks about |
| 1:32.8 | hard things, there's something about the tone of Andy Weir's |
| 1:35.8 | writing that's very playful and funny. And so we |
| 1:40.2 | wanted the movie to kind of signal early on. Like, |
| 1:44.0 | you're in trouble, but the movie believes in you. |
| 1:49.7 | And so that was very deliberate. |
... |
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