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You'll Hear It: Full Album Deep Dives with Jazz Musicians

How NOT to use the Blues Scale - #3

You'll Hear It: Full Album Deep Dives with Jazz Musicians

Peter Martin

Musicians React, Video Podcast, Tutorials, Album, Vocal Stems, Song Breakdown, Album Breakdown, Jazz Musicians React, Song Stems, Music, Musical Life, Reaction, Live Music, Fresh Spin Fridays, Peter Martin, Isolated Stems, Jazz, 194861, Album Analysis, Adam Maness, Kid A Harmony Analysis, Music Commentary, Jazz Tutorials, Music Theory, Jazz Lessons, Track-by-track, Album Deep Dive, Best New Jazz, Chords, Jazz Courses, Music Analysis, Music Advice, Jazz Education, Music Education

4.9770 Ratings

🗓️ 2 February 2018

⏱️ 5 minutes

🧾️ Download transcript

Summary

To play the blues, you gotta know what NOT to play. And then, maybe, just maybe you'll then be able to have the blues. See acast.com/privacy for privacy and opt-out information.

Transcript

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0:00.0

I'm Peter Martin, and I'm Adam Anas.

0:15.8

Welcome to the You'll Hear It podcast.

0:31.7

Thank you. You'll hear it podcast. Today we're going to talk about how not to use the blue scale.

0:36.2

Now the blue scale is one of the first scales that we learn when we

0:40.1

start to get into jazz, I think. Was it the first scale for you, Adam? It absolutely was. I think

0:44.6

it's the first scale that people identify with a jazzy, quote-unquote sound. That's right. So it's

0:49.8

that's your kind of typical traditional blues scale, although...

0:57.0

Don't hit them up with the secret so soon, man.

1:02.0

We'll get to that in another one.

1:03.0

But anyway, there's other kinds of blues scales.

1:05.0

But the concept of this in terms of how not to use the blues scale is very simple. If you're playing a blues,

1:12.6

and this is a C blues, we're going to start, of course, on the C blue scale.

1:21.6

And then at a certain point, we're going to go to the four chord, right?

1:25.6

Now, what do a lot of people do at them they then

1:29.7

will play the blue scale from the four chord in this case the f blue scale oh stop it's

1:36.0

it's hurt so we don't need to do that even when we go to the four chord we're going to stay

1:43.8

at that C blue scale.

1:49.0

And then when we go back to the 1, still there.

1:56.0

Okay, so this is all C blue scale. Then we go to the 5.

2:00.0

What do you think, Adam?

2:00.9

Should we leave now?

2:02.4

No, sir.

...

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