I seem to recall once trailing my mom around the kitchen really late in the evening she still brings this up saying

but why mom and is there a god and what and she was like trying to make sandwiches for lunch the next day

she's like I have no idea.

Did she then say, ask your father? Hi, generous and

get you thinking with me Louise Fletcher and me Alice Sheridan.

This week we have a great topic we're going to be talking about finding our why. Our why for why we paint altogether,

our why for specific series and maybe even our wife for a single painting. But first of all, let's just catch up and Alice, you

look like you've had a really exciting week because I've been looking on Instagram, so tell me

what you've been up to. It feels like it's been longer than a week actually.

It feels like I've had two weeks squashed into one.

So most of it is I had a little,

I suppose you might call it an artist date but it went on for about four days so I had a little bit of time it felt like a kind of bonus summer holiday

but I'm going to talk about that in what's inspired and the rest of what I've been

working on this week has been full on hands on literally this morning hands on

nitty gritty of moving stuff into the new studio. So that has

involved trying to coordinate finding a timber yard deliveries when the guys

are going to be able to come and build this false wall

could it come on Saturday could I hire a van if I had to hire a van it has to be a

full day just those kind of weird logistics of just getting everything there

that I needed. It feels like I'm moving house, not just like moving a few painting things

into an empty room, which should should be simple shouldn't it?

Yeah it's not. I pictured it as oh Alice will like fill up the car with all

...