How Feminism Turned Spirituality Into Performance
The Kristan Hawkins Show
Savannah Slattery
4.1 • 705 Ratings
🗓️ 29 May 2026
⏱️ 9 minutes
🧾️ Download transcript
Summary
Florence Welch sells out stadiums performing what she calls "rituals." Millions of young women describe her concerts as the closest thing to a religious experience they've ever had. And across TikTok and Instagram, a generation of women is turning to witchcraft, astrology, and alternative spirituality - not as a joke, but as a lifeline.
So what's going on?
Modern feminism promised women that career success, financial independence, and bodily autonomy would be enough. But for a lot of women, they weren't. And when those promises fall short, people start looking for meaning somewhere else - in ritual, symbolism, and spiritual searching.
That's where this conversation starts. I'm Kristan Hawkins, and this channel is where I'm going to do the hard work: breaking down the biggest myths, unpacking the cultural lies, and digging into the questions everybody seems to be asking but nobody wants to answer.
We'll go deeper into the stories behind the headlines, the ideas shaping our culture, and the beliefs that are quietly influencing the way women think about power, purpose, and fulfillment. This isn't just commentary. It's a community.
So if you're here for real conversations, big questions, and deep dives that don't pull punches, follow and join me here. I'm building this space for all of us - and I'm glad you're here.
00:00 Witchcraft or Empowerment?
03:07 Pop Culture and the Occult
05:56 Freedom Without Meaning
07:36 Four Levels of Happiness
Watch this episode on YouTube: https://www.youtube.com/watch?v=bVQINFboL0I
Instagram: @KristanMercerKawkins
Facebook: @HawkinsKristan
YouTube channel: @KristanHawkinsSFLA
Transcript
Click on a timestamp to play from that location
| 0:00.0 | Why does a pop album about female power sound so much like witchcraft? |
| 0:05.0 | Guys, we gotta talk about Florence and the Machine's latest album. |
| 0:09.0 | Everybody Scream. |
| 0:10.0 | Now, I know liking Florence and Machine, I've been told it's kind of like Gen Y or millennial, |
| 0:15.0 | but just Google her, look her up on Apple Music. |
| 0:19.0 | I'm sure you've seen her music in movies and on the radio, |
| 0:23.5 | if you still listen to the radio. But this is the deal. Why does this album about female empowerment |
| 0:29.6 | come up so flat? Because what I think when you listen to it, it will show you that feminism's |
| 0:36.4 | real promises about how we can control our own |
| 0:40.9 | bodies and how bodily timing and empowerment are the pinnacle of success and how we find |
| 0:46.9 | happiness, it's all lies. The album was inspired or maybe compelled by Florence's decision to step back from Constitoring to pursue a family in her late 30s. |
| 0:58.6 | But that longing ended in the loss of her child in a terrifying near-death experience with an ectopic pregnancy. |
| 1:05.2 | When we look at the album's lyrics, we find a very specific spiritual worldview. |
| 1:14.6 | There are songs on this album with names like Sympathy Magic, Witch Dance, The Old Religion, and my personal favorite, |
| 1:19.6 | You Can Have It All, which is a huge lie. |
| 1:22.6 | Florence reveals a spirituality that's rooted in ritual and self-definition and the songs are |
| 1:30.3 | actually revealing a woman desperate for peace but the spirituality that she turns to |
| 1:37.3 | is chaotic at one point she talks about reaching to the ancestral plane and the |
| 1:42.3 | witches that she's communing with say, how should we know? |
| 1:47.1 | As if they don't have any wisdom for her. It doesn't rely on the natural transcendence or the |
| 1:53.6 | objective moral order of any kind. In an interview with Rolling Stone, Florence shared that |
| 1:59.3 | she was looking for meaning regarding the loss of her child. |
... |
Transcript will be available on the free plan in 22 days. Upgrade to see the full transcript now.
Disclaimer: The podcast and artwork embedded on this page are from Savannah Slattery, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of Savannah Slattery and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2026.

