How Does That Work? Drop 2 Voicing
You'll Hear It: Full Album Deep Dives with Jazz Musicians
Peter Martin
4.9 • 770 Ratings
🗓️ 1 November 2019
⏱️ 6 minutes
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| 0:00.0 | I'm Adam Manus, and you're listening to the You'll Hear podcast. Daily Jazz Advice is coming at you. |
| 0:16.9 | It's my last day here at the piano solo. Pete's coming back, I think, remotely next week. And so we're going to do our last episode here of our series. How does that work? It's a basic jazz theory series. Check them out early in the week. I've done some on altered dominance, diminished chords, chord substitutions and playing out. Today we're talking about drop two and drop two is a voicing concept, |
| 0:38.6 | but don't worry, you can use it even if you're not a pianist. It's great for arranging. Anytime you |
| 0:44.2 | have four voices, drop two is a very convenient technique to use. I was just doing some orchestral |
| 0:49.8 | arrangements the other day and I was using this in the strings because I know that it always |
| 0:53.8 | sounds good |
| 0:54.3 | if you use it right. So what is drop to mean? Well it actually means exactly what it's called. |
| 1:01.1 | You drop the two or the second note from the top. So if we have a C major seven chord, |
| 1:09.2 | a four note block chord, C-E-G-B |
| 1:12.6 | just a regular |
| 1:14.3 | vanilla |
| 1:16.1 | wonderbread C-Mager 7 |
| 1:18.0 | the second note from the top |
| 1:20.1 | the G we just take it and we drop it down |
| 1:22.5 | an octave we omit it from |
| 1:24.6 | where it was literally move it down an octave |
| 1:26.8 | and that's what it is. |
| 1:28.3 | And for some reason, these voicings sound awesome. |
| 1:30.3 | Beautiful. That's it. So any four-note block chord that you have, here's D minor 7, like the 2 of a 2-5 and |
| 1:50.5 | C, D-F-A-C, take that A second from the top and drop it down. |
| 1:57.0 | These sound great. |
| 2:04.5 | And so there's just an incredible amount of things you can do. |
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