How Dan Nigro Builds Superstars | Ep. 195 | Rewind
And The Writer Is...with Ross Golan
And The Writer Is
4.9 β’ 1.2K Ratings
ποΈ 23 April 2026
β±οΈ 76 minutes
ποΈ Recording | iTunes | RSS
π§ΎοΈ Download transcript
Summary
Today's guest is the Grammy Producer of the Year who built the two biggest pop breakthroughs of the last five years back to back β and whose real story isn't about the hits. It's about the three years he spent making nothing and the rule he wants every producer in the game to understand.
From indie rock frontman in As Tall As Lions to pop's most trusted collaborator, Dan built his career against almost every industry instinct. He carries three things at once that most producers never figure out how to hold: the commercial ear of someone who's had back-to-back Grammy runs with Olivia Rodrigo, the patience of a craftsman who sat on "Good Luck, Babe" for 18 months before it ever left his hard drive, and the conviction to say no β to every rushed demo, every session hop, every label note that doesn't serve the artist.
This is one of the more honest conversations about what it actually takes to build a superstar.
And The Writer Is... Dan Nigro!
In this episode of And The Writer Is, we go deep on:
β’ The three years he spent making nothing β and what finally broke it
β’ Why getting Chappell dropped from Atlantic was "the greatest thing that ever happened"
β’ "We're building like an icon here" β the real work behind Chappell Roan's rise
β’ Why Dan refuses to send demos
β’ 20 days with one artist, not 20 sessions with twenty
β’ Meeting Dua Lipa in 2014 β "this girl is a superstar"
β’ Artist development, finding your lane
β’ Writing good songs sucks β and why that's fine
And much more...
Hit subscribe and turn on notifications. Every week, we go deep with the most interesting creatives in music.
Follow us on socials: @andthewriteris
A special thank you to our sponsors for making these conversations possible.
Our lead sponsor, NMPA β the National Music Publishing Association. Your support means the world to us.
And @splice β the best sample library on the market. Period.
Chapter timestamps:
0:00 Intro
3:01 Why Atlantic dropping Chappell was "the greatest thing that ever happened"
4:16 Atlantic's note: cut one of the Pink Pony Club guitar solos
8:20 Self-releasing Karma, Naked in Manhattan, and building a label with Island
11:33 "We're building like an icon here" β Bowie, Madonna, the Chappell blueprint
13:13 What makes somebody "have it" β the gut call you can't fake
17:21 "There are no more superstars" β the article that pissed Dan off
19:34 20 days with one artist, not 20 sessions with twenty
21:27 Good Luck Babe's million rewrites β the "Good Luck Jane" era
22:59 Why Dan refuses to send demos β ever
24:54 18 months on the hard drive
26:01 Justin Tranter asks: how do you have the confidence to dive that deep?
28:04 Three years. Ended up with nothing.
33:12 The Madonna model β outside songs, finding your lane
43:21 Taking five months off after Olivia and Chappell
46:41 Steph Jones asks: rituals, guilty pleasures, happy accidents
51:43 Amy Allen asks: has your feeling ever been wrong?
52:58 "The most egotistical thing I've ever said" β never wrong about an artist
53:20 Meeting Dua Lipa in 2014 β "this girl is a superstar"
55:55 Vampire β and the label that thought it was "three songs in one"
62:39 People need to take more risks
63:37 Writing good songs sucks β and why that's fine
68:21 Five for five β As Tall As Lions, Sour, Guts, Amusement Records
70:31 The second-album mountain
72:58 Playing Olivia and Chappell for his daughter
Credits:
Hosted by Ross Golan
Produced by Joe London & Jad Saad
Edited by Jad Saad
Post-Production VFX by Pratik Karki
Hosted on Acast. See acast.com/privacy for more information.
Transcript
Click on a timestamp to play from that location
| 0:00.0 | Olivia and I didn't get the driver's license on day one. We got the driver's license on day 25. It's like this rat race that everyone's in to try to just like book as many sessions with as many people. I was like, that's not what this is about. If you wrote a good song with that person, spend 20 days with that person. Is it easy for you? No, none of making music is easy. I just think people need to actually just take more risks. Have your feeling ever been wrong? |
| 0:24.0 | I spent easy for you? No, none of making music is easy. I just think people need to actually just take more risks. |
| 0:22.6 | Have your feeling ever been wrong? |
| 0:24.6 | I spent like three years. |
| 0:26.6 | We have all these productions piling up and these like half written songs. |
| 0:29.6 | You're looking back like at the last month or two that you did and you're like, |
| 0:32.6 | none of these songs are any good. |
| 0:35.6 | And I just did that for so long and ended up with like nothing. |
| 0:38.3 | I wish that writers and producers |
| 0:40.0 | like, |
| 0:41.1 | that's just how you're going to like |
| 0:43.4 | end up having songs that matter |
| 0:45.1 | and songs that mean things to people. |
| 0:46.7 | It's like when you're really like, |
| 0:47.8 | we're building like an icon here, you know? |
| 0:52.5 | But I don't think you can have a superstar person |
| 0:54.5 | without. |
| 0:56.4 | This season is presented by NMPA, the National Music Publishers Association, champions of songwriters |
| 1:03.5 | and publishers everywhere. |
| 1:05.4 | Welcome to And The Writer is, I am your host, Ross Golan. |
| 1:09.8 | When today's guest was first on this podcast, he was a hit |
| 1:13.6 | producer who was super. Now he's a bona fide super producer. But over the last few years, |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from And The Writer Is, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of And The Writer Is and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright Β© Tapesearch 2026.

