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PBS News Hour - Segments

How AI was used in the making of some of this year’s Oscar favorites

PBS News Hour - Segments

PBS NewsHour

News, Daily News

4.11K Ratings

🗓️ 2 March 2025

⏱️ 4 minutes

🧾️ Download transcript

Summary

At this year’s Oscars, there is a subplot of controversy over the use of artificial intelligence in the production of a number of nominated films, including some in the running for best picture. Katey Rich, awards editor at The Ankler and host of the podcast Prestige Junkie, joins John Yang to discuss. PBS News is supported by - https://www.pbs.org/newshour/about/funders

Transcript

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0:00.0

The Oscars are tonight, and as is often the case, there's a subplot of controversy.

0:05.8

This year, it's over the use of artificial intelligence and the production of a number of

0:09.8

nominated films, some of them in the Best Picture category.

0:13.6

Katie Rich is the awards editor at the Ancler, which covers the entertainment industry.

0:17.8

She's also the host of the podcast, Prest junkie. So, Katie, what are we

0:22.3

talking about here? What sorts of things are in nominated films that use AI? We're talking about

0:27.7

so many different things, which is what makes it such a complicated issue. In the case of some of

0:31.8

this year's Oscar nominees, you've got two films, The Brutalist and Amelia Perez, which used

0:35.9

a technology called Reese Beecher

0:37.8

to alter the way that the actor's voices sounded with the actor's permission.

0:42.1

You've also got in The Complete Unknown.

0:43.7

They use a different AI tool to make a stunt double's face look more like the star, Timothy

0:47.6

Chalame.

0:48.3

So they're all kind of small, subtle things, the kind of visual effects tweaks that we've seen

0:52.7

in movies for decades and decades.

0:54.7

And now that they're using artificial intelligence to do them, that's where some of the

0:57.9

discomfort can come in and make it really hard to understand exactly how these tools are being

1:01.8

used. You mentioned the brutalist. The editor said he used this technique to improve the

1:05.8

Hungarian accents of some of the characters. This is a movie about a man who immigrates

1:10.4

from Hungary to the United

1:11.3

States. He says that nothing, as you said, nothing was done that hasn't been done for years.

1:16.1

It's only faster and cheaper this way. So what's the argument here? I mean, I think it's that

...

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