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It's very difficult to keep the line between the past and the present.

You believe that someone out of the past can enter and take possession of a living being.

We may be true with the past, but the past is not through with us.

Welcome to the next picture show, a movie of the week podcast devoted to a classic film

and how it shaped our thoughts on a recent release.

I'm Keith Phipps here with Scott Tobias.

Genevieve Kosky.

We last saw Tasha Robinson driving off into the Hollywood Hills, possibly headed toward Acapulco,

but we hope to see her again someday.

This week, we're traveling back in time to the Los Angeles of the late 1960s, twice,

via films that look back on the era with a mix of

wistfulness and anger. Sorry, I didn't really like that, Reed. Genevieve, can I do another pass?

Sorry, you only get one shot. That doesn't seem right. We flub things and we do them all the time,

and our listeners never know. You and Dan, the Snake Jakes, are really good at editing out our mistakes. Well, that's true. But this week, I feel like we should honor the spirit of both films we're discussing, because each in their own way are about how mistakes can't be undone and the past can't be rewritten. So if, and this is just a wild hypothetical, Scott were to flub a line and start swearing and frustration, it's going to be

...