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...... Welcome back to hit parade, a podcast of pop chart history from Slate magazine about the hits from coast to coast. I'm Chris

Malanfi, chart analyst, pop critic, and writer of Slate's Why Is This Song Number One series?

On our last episode, we covered the rise of a man born Gordon Sumner, better known as Sting.

In The Police, the eclectic post-punk band that made him famous, Sting wrote all of the hits

and tried his hand at punk, reggae, New Wave, synth-pop, and romantic balladry.

Although the band's biggest hit, Every Breath You Take, was not as romantic as it seemed.

We're now in the mid-1980s. The police have quietly broken up after becoming Rock's biggest band,

and Sting is about to embark upon a solo career that's even more wide-ranging and genre unbound.

After the police went on hiatus in 1984, Sting started work on a solo album

while making guest appearances on other superstars records.

For Phil Collins, who was recording his soon-to-be-1985 Blockbuster LP No Jacket Required,

Sting provided counterpoint vocals on Phil's haunting ballad long, long way to go.

Turn it out if we want to, switch it off, we'll go away.

Turn it off if we want you, switch it off if we want you,

switching us to look a way. on if we want you want to switch it off

for a low good way

On the

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