meta_pixel
Tapesearch Logo
Log in
Slate Culture Feed

Hit Parade | Music History and Music Trivia - Hit Parade: The Def Jams Edition

Slate Culture Feed

Slate Podcasts

Music, Tv & Film, Arts

4.22K Ratings

🗓️ 23 February 2018

⏱️ 87 minutes

🧾️ Download transcript

Summary

Watching this year’s Grammy Awards, it’s clear hip-hop is the dominant genre in popular music. But back in the ’80s, it was an influential but still underground style looking fora place on the charts and  some mainstream respect. That is, until Run-DMC met Aerosmith. This month, how some out-of-favor ’70s rockers teamed up with the top crew in rap to remake an old hit—in the process, opening lanes for a trio of punks-turned-MCs, and a witty hip-hop lothario. We’re still feeling the reverberations today. 


Hosted on Acast. See acast.com/privacy for more information.

Transcript

Click on a timestamp to play from that location

0:00.0

You're listening Ad-Free on Amazon Music.

0:10.6

Welcome to Hit Parade, a podcast of Pop Chart History from Slate magazine, about the hits from

0:16.1

coast to coast.

0:17.3

I'm Chris Malanfi, chart analyst, pop critic, and writer of Slate's Why Is This Song Number One series?

0:23.6

On today's show, at the Grammys this year, many of the most compelling performances came from the world of hip-hop.

0:31.4

From Kendrick Lamar,

0:32.5

To new rap starair nothing, I'd rather done it to listen to you. My DNA not for imitation.

0:39.6

To new rap star, Cardi B, supporting the night's biggest Grammy winner, Bruno Mars.

0:45.0

Even if hip-hop didn't walk away with any of the night's biggest trophies, which mostly went to pop singers like Mars and Ed Shearin, not rappers like Lamar, rap in the 2010s is the undisputed top genre in all of recorded music.

1:09.7

Just last year, 2017, the hip-hop and R&B genre accounted

1:14.1

for one quarter of all music consumed in America. That's remarkable for an art form that

1:20.6

didn't exist as a recorded medium 40 years ago, started as street music, and was long seen as a fad.

1:28.9

When rap historians are asked about the greatest moments in hip-hop history, they will often

1:33.9

point not just to classic artists, but classic eras, like sports fans who recall the 69

1:40.4

Mets or the 78 Steelers or the 96 Bulls.

1:44.2

Rap fans tend to organize hip-hop history not just around pivotal players, but pivotal years.

1:50.8

For example, raps widely agreed upon golden era usually starts around 1988,

1:57.3

marked by such Hall of Famers as Public Enemy and NWA.

2:13.2

And the classic era continues through 1994, another pivotal year, dominated by the likes of Nas, Tupac, and the notorious B.I.G.

2:39.3

But one pivotal year for rap that sometimes goes unmentioned is 1986.

2:48.3

If, like me, you are a fan of the pop charts, you might call it ground zero for rap's dominance of popular music as we know it today.

3:07.9

And the key hit from that year, which is anything but underrated, is this one. Schoolgirls sleazy with a classic kind of sassy, little skirt hanging way up for knee. It was three young ladies in a school gym, like an end in a fine that were looking at D. I was a high school loser. Never made it with a lady. Tell me something to miss. Get my next stop. Neighbor. How did I have a favor? loser Never made it with a lady Tell me something A miss That's the rap

...

Please login to see the full transcript.

Disclaimer: The podcast and artwork embedded on this page are from Slate Podcasts, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of Slate Podcasts and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.

Copyright © Tapesearch 2026.