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Hit Parade: I Write Sins, Not Tragedies, Part 1

Slate Daily Feed

Slate Podcasts

News, Business, Society & Culture

41.1K Ratings

🗓️ 16 October 2021

⏱️ 42 minutes

🧾️ Download transcript

Summary

“Punk happened, past tense.” That’s what Boomer-era critics and true-believer punks told the younger generations. Punk’s whole reason for being was rejecting the mainstream. But punk wasn’t just a movement—it was also a genre. And 20 years after it first emerged, punk went from underground to overground, dominating the radio for the first time. In this episode of Hit Parade, Chris Molanphy traces how punk traveled from Sid Vicious to strip mall, through the lineage of ’90s bands Green Day, Offspring and Blink‑182, and ’00s emo artisans Fall Out Boy, Panic! at the Disco and their skinny-jeans-wearing, smarty-pants contemporaries. From the CBGB era to the current Billboard Hot 100, punk is no historical artifact—it’s still morphing and adapting. And for all its supposed opposition to convention, the dirty little secret is: Punk has always been catchy. Podcast production by Asha Saluja with help from Rosemary Belson. We have a special announcement! This year is the 25th anniversary of Slate. And for a limited time, we’re offering our annual Slate Plus membership at $25 off. As a Slate Plus member, you'll get to hear every Hit Parade episode in full, the day it arrives; plus Hit Parade—“The Bridge,” our bonus episodes, with guest interviews, deeper dives on our episode topics, and pop-chart trivia. Plus, you’ll get no ads on any Slate podcast, unlimited reading on the Slate site, and member-exclusive episodes and segments. This offer lasts until October 31st, so sign up now at slate.com/hitparadeplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

Click on a timestamp to play from that location

0:00.0

Hey there, hit parade listeners. I have a special announcement. This year marks the 25th

0:06.3

anniversary of Slate. And for a limited time, we're offering our annual Slate Plus membership

0:13.2

at $25 off. As a member, you get so many benefits, including right here at Hit Parade.

0:21.0

You're about to hear part one of this Hit Parade episode, and part two will arrive in your

0:27.0

podcast feed at the end of the month. But if you'd like to hear this episode all at once,

0:32.9

the day it drops, you can sign up right now for Slate Plus. As a Slate Plus member,

0:39.1

you'll get to hear every Hit Parade episode in full the day it arrives. Plus, Hit Parade,

0:45.2

the bridge, our bonus episodes with guest interviews, deeper dives on our episode topics,

0:51.5

and pop chart trivia. Plus, you'll get no ads on any Slate podcast, unlimited reading on

0:58.4

the Slate site, and member exclusive episodes and segments, such as my favorite part of every

1:04.9

week's Slate Culture Gap Fest, their conversational Slot Plus segments. So sign up at Slate.com slash

1:13.6

Hit Parade Plus to keep Slate going for another 25 years. But hurry, this offer of $25

1:21.6

off only lasts through October 31st. So sign up now at Slate.com slash Hit Parade Plus.

1:30.2

Thanks, and now please enjoy part one of this Hit Parade episode.

1:44.4

Welcome to Hit Parade, a podcast of pop chart history from Slate magazine about the hits from

1:51.7

Coast to Coast. I'm Chris Melanthe, Chart Analyst Popcredit, and writer of Slates Why is this

1:58.0

song number one series? On today's show, 16 years ago this week, a song cracked the top 10 on

2:05.9

Billboard's Hot 100 that had been climbing the chart for nearly four months. It had also been

2:12.2

rising on the modern rock chart for almost five months, and the song's verbose chorus

2:19.2

seemed to talk about the charts themselves. Its most memorable line, to me anyway, was I'll be your

2:27.6

number one with a bullet. Though it wouldn't quite reach number one with

2:42.2

or without a bullet, the song, sugar we're going down, would reach number three on the

...

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