From 38.

I'm excited to be having a conversation with someone when they have that revelation.

It's pretty huge.

It's making sure.

It's pretty good if you have a source for it?

Yeah, the telegraph.

From One World Trade Center in Manhattan, this is the New Yorker Radio Hour, a co-production of WNYC Studios and The New Yorker.

Welcome to The New Yorker Radio Hour. I'm David Remnick.

Generations of guitarists have been obsessed with the work of the late John Fahey,

and later this hour we'll learn why.

And we're going to learn a thing or two about what feminists call the male gaze.

My colleague Judith Thurman visits the Muslim designer of some beautiful high-fashioned hijabs to talk about what it means to dress modestly in our not-so-modest culture.

And I'm going to talk with Jill Soloway, one of the most influential directors and one of the

most committed feminists working in television right now. Salay's show Transparent debuted in 2014, starring Jeffrey

Tambor as a person transitioning, rather late in life, to a new identity as a woman. I think it's

already joined that small list of TV shows like All in the Family or Blackish that capture an

issue that everybody's talking about and makes it more real through fiction.

Salloway's got a new show coming out on Amazon this spring, and if anything, it's even more provocative.

And we'll get to that in a minute.

Jill, Transparent is a phenomenon, and it's brought something new into our lives,

but through an old means using comedy,

family comedy, and poking at the narcissism of families. But politically, it's bringing something

...