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In Our Time: Culture

Henrik Ibsen

In Our Time: Culture

BBC

History

4.51K Ratings

🗓️ 31 May 2018

⏱️ 50 minutes

🧾️ Download transcript

Summary

Melvyn Bragg and guests discuss the great Norwegian playwright and poet, best known for his middle class tragedies such as The Wild Duck, Hedda Gabler, A Doll's House and An Enemy of the People. These are set in a world where the middle class is dominant and explore the qualities of that life, its weaknesses and boundaries and the ways in which it takes away freedoms. It is the women who fare the worst in this society, something Ibsen explored in A Doll's House among others, a play that created a sensation with audiences shocked to watch a woman break free of her bourgeois family life to find her destiny. He explored dark secrets such as incest and, in Ghosts, hereditary syphilis, which attracted the censors. He gave actresses parts they had rarely had before, and audiences plays that, after Shakespeare, became the most performed in the world.

With

Tore Rem Professor of English Literature at the University of Oslo

Kirsten Shepherd-Barr Professor of English and Theatre Studies and Tutorial Fellow, St Catherine's College at the University of Oxford

And

Dinah Birch Professor of English Literature and Pro-Vice Chancellor for Cultural Engagement at the University of Liverpool

Producer: Simon Tillotson.

Transcript

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0:00.0

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0:29.4

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0:35.0

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0:38.0

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0:43.3

Twitter at BBC in our time. I hope you enjoy the programs.

0:47.0

Hello, Henric Ibsen's tragedies are among the most performed plays in the world

0:51.9

second only to those of Shakespeare. Among them adults have is among them

0:54.4

them the plays in the world second only to those of Shakespeare.

0:53.8

Among them a doll's house the wild duck, head a garbler and ghosts.

0:58.6

His characters aren't kings, princes or emperors, or emperors, but bank managers doctors

1:03.4

photographers and above all their wives and daughters often trapped in their

1:06.7

roles in the new Norwegian bourgeoisie. The dramas largely take place

1:10.9

in city rooms or landscapes not not castles, and explore topics that

1:14.5

caused a sensation when first performed in the late 19th century and still provoked discussion

1:19.3

today.

...

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