Helen Mort and Blake Morrison, Oulipo
Arts & Ideas
BBC
4.2 • 598 Ratings
🗓️ 18 November 2020
⏱️ 46 minutes
🧾️ Download transcript
Summary
Teaching writing - mentors Helen Mort and Blake Morrison compare notes. Plus as Georges Perec's memoir I Remember is published in English for the first time, we look at the rules of writing proposed by the Oulipo group which was founded in 1960 by Raymond Queneau and François Le Lionnais. Georges Perec (1936 – 1982) came up with a "story-making machine" and created a novel in which the letter 'e' never appears. Queneau's Exercices de Style recounts a bus journey ninety-nine times. Shahidha Bari talks to Adam Scovell and Lauren Elkin about Oulipo.
Helen Mort's books include poetry collections Division Street and No Map Could Show Them and a debut novel Black Car Burning and she is a Senior Lecturer at Manchester Metropolitan University https://www.helenmort.com/
Blake Morrison's books include poetry collections Dark Glasses and Pendle Witches, And When Did You Last See Your Father? which won the JR Ackerley Prize for Autobiography and a study of the murder of James Bulger, As If. He is Professor of Creative and Life Writing at Goldsmiths College, University of London. http://www.blakemorrison.net/
Their conversation is part of the series Critical Friends organised in partnership with the Royal Society of Literature https://rsliterature.org/ You can find more writerly conversations in the Free Thinking playlist Prose and Poetry https://www.bbc.co.uk/programmes/p047v6vh
Adam Scovell is the author of novellas including How Pale the Winter Has Made Us and Mothlight
Lauren Elkin is the author of The End of Oulipo? An Attempt to Exhaust a Movement and Flâneuse: Women Walk the City in Paris, New York, Tokyo, Venice, and London
George Perec's I Remember translated into English by David Bellos and Philip Terry has just been published by Editions Gallic.
Producer: Ruth Watts
Transcript
Click on a timestamp to play from that location
| 0:00.0 | Welcome back to the home of the oxymoron. Evil genius. He asked the newspaper to print his obituary early so he'd enjoy it. That's like hiding at your own funeral. Yeah, a big, great gig. I'm Russell Kane. Join me to weigh in on whether the biggest players in history are more evil or genius. Becoming that rich, I'd say that is some level of genius. It also helps that it's a long time ago, right? |
| 0:23.3 | It's like the podcast version of telling your kids the ice cream van plays music when it's |
| 0:27.5 | out of ice cream. |
| 0:28.8 | Listen to evil genius on BBC Sounds. |
| 0:32.3 | Hello, for today's program, we thought about taking out all the letters T and P. |
| 0:36.9 | But who wants to listen to an |
| 0:38.2 | Ars and Ida's Odkoss? We'll be talking about Ulupo and its collective of experimental |
| 0:43.4 | writers in 1960s Paris. Plus, Helen Mort and Blake Morrison on how to write better. Keeping in |
| 0:50.1 | the T's and the P's might be a start. Join me, Shahidebarri, just after this. |
| 0:55.6 | Pst, do you like ideas? |
| 0:58.0 | Big ones, satisfying ones, |
| 1:00.3 | crunchy ones, ones that make you go, |
| 1:02.9 | oh, I like that, tell me more. |
| 1:05.0 | My name's Matthew Sweet, |
| 1:06.1 | and between you and me, |
| 1:07.5 | the BBC Arts and Ideas podcast is what you need. |
| 1:10.8 | We kind of do everything, really. |
| 1:12.5 | We'll navigate Plath, Pankhurst, Derrida, we'll tell you what to do on a date with Carrie Grant. |
| 1:17.9 | We do the big questions about art, sex, death, democracy, conservatism, colonialism and cows. |
| 1:25.1 | And here's the thing. We like booking people who know what they're talking about. |
| 1:28.9 | So consider us a safe haven from the chancers and the renter gobs and the I Reckonistas. |
| 1:35.0 | So click on us, the Arts and Ideas podcast. We can't guarantee satisfaction, |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from BBC, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of BBC and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2026.

