Heaven's Gate
WHAT WENT WRONG
Sad Boom Media
4.8 • 4.3K Ratings
🗓️ 14 July 2020
⏱️ 52 minutes
🧾️ Download transcript
Summary
Ever wonder where “No Animals Were Harmed In The Making of This Film” came from? Special guest Matt Detisch guides Chris & Lizzie through the details behind Michael Cimino’s Heaven’s Gate, including record breaking budget overages and widespread animal abuse. We also examine the age old question: are Christopher Walken and Kris Kristofferson simply too hot for their leading lady?
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Transcript
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| 0:00.0 | This is the most unpleasant movie to look at that I can remember. |
| 0:02.8 | I think this is just an example of what can go wrong when you try to build a grand scale |
| 0:06.6 | movie and forget, for me at least, that the characters are all important. |
| 0:10.3 | I was really shocked. |
| 0:11.2 | I went to see it. |
| 0:11.7 | I thought, gee, it can't be as bad as everybody said it was. I was as |
| 0:15.0 | as bad as everybody said it was as bad as everybody. |
| 0:16.0 | Hot, hot, hot, Hello and welcome back to another exhilarating episode of what went wrong your favorite |
| 0:35.4 | podcast about everything that has gone wrong on some of your favorite Hollywood hits and biggest |
| 0:41.1 | Hollywood flops. This week we are very excited to have our first |
| 0:46.0 | guest host, Matt Dettish. Matt is an editor, producer, and director based in Los Angeles. |
| 0:52.2 | He edited the feature 1 over 1 and the producer and director based in Los Angeles. |
| 0:52.5 | He edited the feature One Over One and the HBO Short Film Monday. |
| 0:56.8 | Currently he produces the director's trademarks and |
| 0:59.8 | through the lens series for IMDb. |
| 1:03.2 | Matt, thank you so much for being here. |
| 1:06.0 | Thanks for having to tell us what movie |
| 1:08.0 | we're gonna be talking about today. |
| 1:10.1 | We'll be talking about Heaven's Ghemeano's 1980 or 81, depending on which release date you adhere to. |
| 1:18.4 | There are several. |
| 1:19.4 | Based on the Johnson County War. |
| 1:22.8 | It portrays a fictional dispute |
... |
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