Welcome to the Great Albums podcast. I'm Bill. And I'm Brian. And what are we talking about today, Brian?

Today we are talking about one of our favorite, the rottenness and evil in me.

Fingertips had memories, I can't forget the curves of your body

What we do here every week on the podcast is take an album of music and talk about what makes it great.

We try to have the conversation around the music that fans do and we cap it all off with a track-by-track review.

But this week we're doing something a little bit different because we're not doing a single album.

Brian, you kind of came up with this idea, so explain it to everybody.

Yeah, it seems like we kind of do about one of these every year, a sort of six-pack,

where it's exactly that we pick six songs, and we talk about that in maybe a little more detail than just

going over an entire album. And with Harvey Danger, it worked out really well. We figured,

you know what, I'm going to pick my three favorites from each of their three albums. Bill's

going to do the same. And that's how we arrived at this, because we've been debating a while on doing a

Harvey Danger record, except they have three albums that are all kind of similar in quality.

That's, you know, very good. So it's been tough for us to kind of decide. So we said,

you know what? Let's just appreciate, let's celebrate their entire catalog.

Yeah, and I was really excited to do that because you don't really know where to go with Harvey Danger because they've got the three great albums.

But Brian and I, we've talked to, we want to do Harvey Danger, and it's like, which one do you do?

Exactly, yeah.

And of course, you heard flagpole sit in the intro.

So that song, I'm sure we're going to talk about that a little bit, but we figured, you know, let's, let us not burden one of us not burden the other with being the one to have to pick that song. We're like, you know what,

let's just throw it up top, you know, kind of not get it out of the way, but at least like acknowledge

that that's, you know, a big song. We're going to talk about it, of course, but let's,

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