4.6 β’ 3.6K Ratings
ποΈ 1 May 2018
β±οΈ 64 minutes
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Hari Kunzru reads and discusses βThe Colonel's Daughter,β by Robert Coover, from a 2013 issue of The New Yorker.
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0:00.0 | This is the New Yorker Fiction Podcast from the New Yorker magazine. |
0:08.6 | I'm Debra Treesman, Fiction Editor at the New Yorker. |
0:11.8 | Each month we invite a writer to choose a story from the magazine's archives to read and discuss. |
0:17.1 | This month we're going to hear the Colonel's daughter by Robert Coover, |
0:20.5 | which was published in the New Yorker in September of 2013. |
0:24.2 | The Colonel is dispassionately systematic, observant, calculating, exacting, ultimately ruthless. |
0:32.2 | The story was chosen by Harry Kunzru, who's the author of one short story collection and five novels, |
0:37.7 | including the impressionist, God's Without Men, and white tears. |
0:42.2 | Hi, Harry. |
0:43.0 | Hello. |
0:44.1 | So what's your history with Robert Coover? |
0:46.7 | Are you a lifelong reader of his? |
0:49.7 | I got to him quite young, yes. |
0:53.0 | When I was, I think, 18 or 19, I had one of these sort of formative friendships with somebody who had more sophisticated literary taste than me, |
1:01.2 | and he had a shelf for American fiction, mostly to the 60s and 70s postmodernist fiction, |
1:11.0 | and sort of fabulous fiction of things like John Bath. |
1:15.8 | And Coover's pric songs and desks was one of those books. |
1:19.3 | And I, in the way that you do at that time, I kind of took on his canon as sort of wholesale as my new canon. |
1:25.6 | And so, yeah, Bob Coover was part of that. |
1:29.0 | Yeah. |
1:29.6 | What was it that appealed to you? |
1:31.7 | Well, I think I hadn't been aware that you could have such formal fun with storytelling. |
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