4.8 • 1.5K Ratings
🗓️ 22 January 2018
⏱️ 88 minutes
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0:00.0 | Hi everyone and thank you for tuning in to the 200 second episode of of Awards channel, the Hollywood |
0:13.1 | reporters awards podcast. I'm the host Scott Feinberg and my |
0:16.6 | guest today is an Oscar and Grammy-winning film composer who is widely |
0:20.8 | regarded by peers and critics alike as a trailblazing genius, |
0:24.9 | having composed masterful scores to some 150 films, including |
0:29.9 | 1998's Rain Man, 1989's Driving Miss Daisy, |
0:33.1 | 1991 Stelman Louise, |
0:35.1 | 1992 is a League of Their Own, |
0:36.6 | 1993's True Romance, |
0:38.4 | 1994 is The Lion King, |
0:39.9 | 1995's Crimson Tide, |
0:41.8 | 1997's As Good as It Gets, |
0:43.6 | 1998's The Thin Red Line, 2000's Gladiator, 2001's Black Hawk Down, |
0:48.5 | 2003 is The Last Samurai, the Dark Night trilogy spanning 2005 through 2012, the 2006, 2007, and 2011 |
0:57.0 | installments of the Pirates of the Caribbean series, 2010's Inception, 2013's |
1:01.9 | 12 years of slave, 2014's |
1:04.0 | Interseller, and in 2017 alone, |
1:08.1 | Boss Baby, Blade Runner 2049 and Dunkirk. |
1:13.0 | He and his frequent collaborator Benjamin Walthus shared a Critics Choice Award nomination and |
1:18.8 | are nominated for a Baffa Award as well. |
1:21.4 | For Dunkirk, he was nominated for Golden Globe and Critics Choice |
1:24.2 | Awards and is nominated for Grammy and Baffa Awards and for one film, the other or |
... |
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