Summary
Misha Glenny and his guests discuss the most famous oratorio of George Frideric Handel (1685-1759) and his librettist Charles Jennens (1700-1773). For his libretto, Jennens drew from Old and New Testament texts: prophecies about the coming of Jesus, the Messiah, the nativity, the suffering of Christ and his death and the Day of Judgement and redemption for all. Handel's Messiah had its premiere in 1742 in a secular Dublin music hall to great acclaim with a packed audience and Handel continued to adapt his Messiah for later performances, often shaping the work to the choirs or individual singers available. Messiah proved to be one of his most popular works, becoming a favourite of massed choirs around the world far beyond the scale of Handel’s original.
With
Donald Burrows Emeritus Professor of Music at the Open University
Ruth Smith Trustee and Council Member of the Handel Institute
And
Larry Zazzo Countertenor, and Senior Lecturer in Music at Newcastle University
Producer: Simon Tillotson
Reading list:
Donald Burrows, Messiah (full score, 2 vols, Hallische Händel Ausgabe, forthcoming)
Donald Burrows, Messiah (Edition Peters, 1987)
Donald Burrows, Messiah, Cambridge Music Handbooks (Cambridge University Press, 1991)
Donald Burrows, Handel: Master Musicians series, 2nd edition (Oxford University Press, 2012)
George Frideric Handel (ed. Donald Burrows et al.), Collected Documents vol. 3 (1734-42), vol 4 (1742-50), (Cambridge University Press, 2019, 2020)
G.F. Handel, facsimile ‘Messiah’: the composer’s autograph manuscript (British Library, 2009)
G.F. Handel, facsimile the composer’s Conducting Score of Messiah (Scolar Press, 1974) Arthur Holroyd, Reassuring 18th-Century Protestants: The Librettist’s Intended Message for Handel’s ‘Messiah’ (Quacks Books, 2018)
Charles King, Every Valley: The Story of Handel’s Messiah (Doubleday/Bodley Head, 2024)
Jens Peter Larsen, Handel’s Messiah: Origins, Composition, Sources (Adam and Charles Black, 1957)
Richard Luckett, Handel’s Messiah: A Celebration (Victor Gollancz, 1992)
Watkins Shaw, A Textual and Historical Companion to Handel’s ‘Messiah’ (Novello and Co, 1965)
Ruth Smith, ‘The Achievements of Charles Jennens (1700–1773)’ (Music & Letters, 70, 1989)
Ruth Smith, Charles Jennens: The Man behind Handel’s ‘Messiah’ (Handel House Trust/The Gerald Coke Handel Foundation, 2012)
Ruth Smith, Handel’s Oratorios and Eighteenth-Century Thought (Cambridge University Press, 1995)
Calvin R. Stapert, Handel’s Messiah: Comfort for God’s People (Wm. B. Eerdmans Publishing Co., 2010)
Judy Tarling, Handel’s Messiah: A Rhetorical Guide (first published 2014; Punnett Press, 2025)
In Our Time is a BBC Studios production
Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.
Transcript
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| 0:58.5 | Hello, in 1742 in a secular Dublin music hall, the first audience heard Handel's Messiah, |
| 1:05.6 | a sacred oratorio, from its first word comfort to the chorus of hallelujahs to the last word amen. |
| 1:13.7 | The librettist Charles Jennings had drawn from biblical texts, prophecies about the coming of |
... |
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