What's up guys? We are live. So we are live here. We're doing a live. You'll hear it with me. I'm Adam Maness. I'm Peter Martin.

And with us today, the Charles Goldfarb of the Washington University School of Medicine. Chuck,

thank you for being here today. It is my pleasure. Thanks for having me on.

And you are actually at Washington University Medical Center, deep solace distance, deep quarantine

in the part at work today, right? I mean, they're doing the podcast with us, but actual

doctoring is going on. There is doctoring going on. There's not a lot of doctrine going on for

those with elective practices in my surgery, but there's doctrine going on and I'm going out

in office solo.

Awesome.

So we already get great questions, which we're going to get to in a second.

But what we wanted to talk about is with all of our guests, whatever the hell you want to talk about.

But in particular, we have a lot of pianists and just a lot of musicians.

And we're always a little bit piano-centric, but almost every instrument, except for many vocals, uses their hands in interesting ways.

And I know you've treated a lot of athletes, a lot of musicians, a lot of, you know, just folks in general.

Everybody pretty much has hands.

But the way we use them in music is, especially as pianists,

is very unique because we're often a lot. And a lot of folks are not going through a period

of deep practice, which is wonderful in terms of you're sheltering at home, you're stuck at home,

and a lot of professional and semi-national and aspiring musicians are spending more time

at their instruments than ever,

but we're hearing about, you know, some injuries, maybe over-use that type of thing.

And so we want to just, as we have you on the line here, get some of your advice about all that.

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