4.6 • 3.5K Ratings
🗓️ 28 November 2025
⏱️ 70 minutes
🧾️ Download transcript
Before he became one of the most recognisable storytellers on the comedy circuit, Hal Cruttenden was a shy kid from West London who spent years trying to be what he thought others wanted him to be. He trained as an actor, chased approval, and tried to outrun a gnawing sense that something in his life was not quite aligned. It took heartbreak, therapy, and a very honest look at himself to turn that tension into the comedy voice audiences now know so well.
In this episode of Full Disclosure, James O’Brien sits down with the stand up to trace the path from drama school hopeful to seasoned touring comic finding unexpected clarity in midlife. They talk about navigating divorce in the public eye, the strange elasticity of masculinity, and the way comedy can both hide and reveal the truth about who we are. Hal reflects on family, fear, and the moments when laughter becomes a lifeline rather than a performance.
It is a conversation about reinvention, vulnerability and starting again. And at its heart is Hal’s realisation that the most powerful thing he has ever done on stage is simply tell the truth- however messy, painful or absurd it happens to be.
Find out more about Hal Cruttenden: Can Dish It Out But Can’t Take It here
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| 1:06.1 | This is a global player original podcast. Hello and welcome to full disclosure. |
| 1:15.9 | Well, my project designed exclusively to allow me to spend more time with interesting people than I'd ever get on the radio. |
| 1:22.3 | Hal Cruttenden, welcome. |
| 1:24.2 | Lovely to be here. |
| 1:25.3 | We'll see. |
| 2:01.7 | I love these. I've been listening to some of these podcasts. You really do get stuff out of people. And I was just thinking, I was arriving here going, don't cry. Just don't cry. Don't get too deep. Crying's good. Crying is good. Have people cried in these? I think that Chris Bryant cried. Some people have cried. but I don't, it's not, I mean, it's nothing to do with me. I just create a comfortable environment of which people, people can relax and let things go. Although, it did occur to me that as a middle class cliche myself, the fact that much of your comedy has historically addressed the concept of being a middle class cliche this could be sort of whatever the opposite of crossing the streams is yes um you are a very |
| 2:09.8 | very funny man one of one of my favorite comics um and on television we've been on a stage together |
| 2:16.0 | many many years ago and and yeah i didn't know much about you. I certainly, I didn't even know that your sister was in Patangyang, Kippabang. That was the first thing that, because I think, I've surely hundreds of men have told you over the years that they had a big crush on your sister when she started. It was the second night of Channel 4. I had a little black and white television in my bedroom that was normally only used for playing games on the ZX spectrum. Yeah. But for some reason, |
| 2:39.1 | I was excited by the launch of Channel 4. And I remember watching that film and both loving the |
| 2:43.1 | film and loving your sister. But it was a very theatrical upbringing, wasn't it, for all of you? |
| 2:47.7 | It was. I mean, we, my my parents our parents weren't professional actors but |
| 2:52.5 | well my dad became a professional actor at 49 and died suddenly at 50 so it's like the you know |
| 2:57.7 | absolutely brutal my mum had been they'd done a lot of stuff in um amateur theatre my mum was a |
| 3:04.7 | make-up artist at the bbc in the 60s and 70s and then she became a she started running her own stage TV and film makeup school so we did grow up with this sort of this thing of theatre and performance and and all that stuff and um your grandma had been yes a grand dam of training. |
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