Gustavo Santaolalla — How Movie Music Moves Us
On Being with Krista Tippett
On Being Studios
4.7 • 10.2K Ratings
🗓️ 25 August 2016
⏱️ 51 minutes
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Summary
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| 0:00.0 | Support for Unbeing is brought to you by MindShift, |
| 0:02.5 | Stories Teacher's Share, a podcast from KQED |
| 0:05.3 | that explores the heart of teaching. |
| 0:07.4 | Download MindShift on iTunes and NPR1. |
| 0:11.2 | Soundtracks of movies become soundtracks of our culture. |
| 0:15.2 | Movies for some of us are a form of modern church. |
| 0:19.0 | So though you may not immediately recognize the name, |
| 0:21.8 | Gustavo Santa Olaya, you've probably heard the cinematic landscapes |
| 0:26.4 | he's created for films like Babel and Brokeback Mountain, |
| 0:30.0 | for which he's won Academy Awards. |
| 0:32.2 | This is the opening track from the film, The Motorcycle Diaries. |
| 0:36.1 | We experience Gustavo Santa Olaya's human and creative philosophy |
| 0:41.4 | behind a kind of music that moves us like no other. |
| 0:45.1 | I generally like not to have too much music in the movies. |
| 0:49.4 | I like the music to become relevant at certain points. |
| 0:53.9 | When you have a really dramatic scene |
| 0:56.4 | or something is really happening on the screen, |
| 0:58.8 | why would you put some music to it? |
| 1:01.1 | You can turn something dramatic into something melodramatic very easily. |
| 1:11.0 | I'm Krista Tippett and this is on Being. |
| 1:23.8 | Gustavo Santa Olaya grew up in Argentina in the time of the military junta |
| 1:33.8 | and the trauma that became known as the Dirty War. |
... |
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