4.6 • 2.7K Ratings
🗓️ 15 October 2015
⏱️ 29 minutes
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0:00.0 | Hello pod, I'm Chris Heward, welcome to a very special edition of the Empire podcast dedicated |
0:19.9 | to Crimson Peak and an interview with its director, the fantastic Mexican filmmaker, |
0:24.3 | Guillermo del Toro, who came into London recently to talk about Crimson Peak and he sat down |
0:27.9 | with me for a good old chunk of time we talked about that film and a great many other things |
0:32.1 | indeed it's a very funny and enlightening interview I hope you enjoy. We're delighted to be joined |
0:38.0 | on the Empire podcast by the great Guillermo del Toro. How are you sir? Excellent, excellent, |
0:42.1 | good to see you. Same here man. We were just talking a second ago about the brilliant Crimson Peak. |
0:46.1 | You saying it's one of your three favorite films? Yeah, of yours. Yeah, I mean my favorite is |
0:50.1 | depending on the week. The order is devils backbone, pans armor and then this one and they are |
0:55.0 | kind of related to each other in very strange ways and they are in equally strange ways very |
1:01.0 | personal very sort of autobiographical in which way is this one autobiographical? Well many many many |
1:06.8 | of them are hidden thank God and they haven't discovered the corpses in my basement but for example |
1:12.6 | little silly things the opening, a parishion with the girl that happened to my mother that's a story |
1:17.8 | she used to tell us when we were kids that the night after the funeral of her grandmother her grandmother |
1:22.9 | came and sat on her bed and she heard the bed springs creaking and she could smell her perfume and |
1:29.1 | hear the fabric of her dress and she touched her in the shoulder. We were obviously very impressed by |
1:34.4 | that tale. I mean I think the movie talks about what I think about love which is I think it's a very |
1:39.6 | imperfect proposition and it should be you know it's what makes us human and so forth. I love the |
1:44.6 | portrait of the mother in the wall which makes me crack up every time. It's actually very similar to |
1:49.8 | my grandmother with whom I grew up and her cameo the little cameo jewel that you wore. It's the |
1:56.6 | real cameo from my grandmother that Lucille wares and that was worn by Marissa Paredes in Devil's Bagwong |
2:02.7 | and that was worn by my mother in super-ate short idea that was worn by an actress in a 16-way |
... |
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